The more you can create that magic bubble, that suspension of disbelief, for a while, the better.
I almost forgot what it's like to be proud of my government.
I think there is a serious corruption in the idea sold through advertising that you can attain spiritual peace through lifestyle and the notion of building your happiness from the outside-in by acquiring things . . . which if you think about it, is the essence of advertising
Well, I don't feel that I've played so many bad guys, and I'm rot really drawn to villains per se. I think a lot of people relate to some of my characters' inner struggles.
There are so many people who are conscientious and caring about others. I've spent time working in countries where I really noticed the absence of civic concern, care for other people. I've been in other countries where I feel a palpable, almost tooth-and-claw attitude between people - Machiavellian, me and mine. And you can take for granted being here, with all the bloviating and the media, on a day-to-day level, people in this country are really pretty concerned for each other.
I think that the environmental movement is wisely moving away from a largely emotion-based argument for the spiritual or intrinsic value of Nature with a capital "N" and evolving toward a very hard-nosed case for the economic value of natural capital, ecosystem services, biodiversity, etc.
For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.
I don't smoke and I don't want to smoke. I am not a fan of gratuitous smoking in films.
I started, with three friends, this website called Crowdrise that's sort of the Facebook for personal philanthropy, a place where anybody can have a permanent microsite of their own to stage creative fundraising projects for the charities and causes that they care about. And we did it with serious intent but without any ambition.
David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.
A lot of why I do something is just the novelty of the experience.
A lot of people ask, "What do you pull on in your own life from your character?" In all honesty, it's not something that really works that way for me. I tend to look at these things as an imaginative process and a challenge of imagination and empathy, to some degree. I get much more out of meeting people who have lived these lives than I do digging around in my own limited experiences.
People think because I went to Yale that that implies privilege, and it is a privilege in the sense that it's an incredible opportunity.
As we say in the sewer, time and tide wait for no man.
The thing I'm absolutely convinced of, no matter how crazy - technological the world is getting, is that people feel more connected through the good works. Entertainment, and the sort of soporific effect it has on people and their stress, is one thing.
I always felt that acting was an escape, like having the secret key to every door and permission to go into any realm and soak it up. I enjoy that free pass.
If Nick Broomfield never found anyone with affection for Courtney Love, it's only because he conspicuously avoided the countless friends, colleagues and fans who appreciate her talent and admire her as a person. But then, why would Broomfield have opened up his film to those of us who work with Courtney and are close to her when there are so many bitter left - behinds and desperate attention - seekers eager to validate his attack on her character? Inquisitors in every age, scared of forceful women, have used all kinds of half - baked testimony to whip up chants of 'Burn the witch!'
I've already spent a lot of my life doing what makes me go. There's a life out there while I'm still young, able to move, able to just sit at peace in the water - I should be spending much more time doing that, rather than continuing to go through this artistic struggle.
I don't feel insecure about any of this work anymore. Maybe I don't have what I had when I was younger. I'm not really hungry to prove anything to anybody, really. But when I stand outside myself and observe what I think are my strengths and weaknesses going into directing, it's what you just said, an affliction to organize moments.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
I don't get much out of doing a red carpet.
The "environmental movement" is becoming an economic movement, is joining the social justice movement, is becoming a sustainability movement. It's leaving behind the "People's Needs versus Nature's Needs" conflict in favor of making the case for environmental health as the essential underpinning of prosperous and stable human civilization.
I don't think you should sit around and wait for people to give you an opportunity to express yourself or do your work, or whatever. Actors have to be producers and writers have to be producers.
I studied French forever, and when do I ever speak French? I clearly should have studied Spanish. I wish I had stuck with music, because that would still be great. I really wish I had learned to surf earlier in my life.
I think technology is having a democratising effect on film.
