I hate the way market forces try to separate us out in to the appropriate demographic - basically in order to sell us things. We need to find stories that we can enjoy together, not separately.
I have a nervous breakdown in the film and in one scene I get to stand at the top of the stairs waving an empty sherry bottle which is, of course, a typical scene from my daily life, so isn't much of a stretch.
The Catholic Church - it's so difficult because I don't want say anything offensive but it makes me very angry that religious leaders from this faith have tried to respond negatively to sexual education and to the promotion of condom use
I have had lots of friends who've been affected by Aids and a very good friend of mine, Oscar Moore, died of Aids and I was with him in his last year quite a bit. And of course he was a man living in a very rich culture with a wealthy family who was able to afford health care.
I think the point about ActionAid is what it's asking people to do is engage with poor people in developing countries and understand what their lives are like and understand how the way we live our lives impacts on theirs.
Let's stop feeling so guilty about global warming
I think that my work is my attempt, I suppose, is to try and become a piece of connective tissue. I'm trying to communicate with people here and in America - in rich countries - about what I see on the ground in badly affected areas
The only way you can have it all is by delegating all the running of the home to other people - which I don't ever want to do... So you do it yourself, and it takes time and energy and effort. And if you give it the time, it's profoundly enjoyable.
The trouble is it's very difficult to pin-point the most important thing because Aids affects everyone in different levels of society, differently and you have to respond to it differently.
Sometimes I get to put on posh frocks and be Madam Glamour, the vendor of my wares. My lovely friend Kath, a stylist, puts me into things I'd never dream of. But my real life is very different. It's very, very home-based - an intense domestic life, that's the core of everything.
Indeed - judicious, consistent parenting is a dream of mine. No judgements, learning space and listening carefully are my goals.
I don't have technique because I never learnt any.
I ask Laurie it it's possible to get trained fish. Lindsay says this is how we know I've never produced a movie.
I've never been on the cover of Empire. I'm very bitter. I've got an award but now I feel sad and cross.
I think it's [the AIDS fight] the most important and most pressing one - I think it's a global emergency and I think in a way we all have to address it and engage with it because I think it's the biggest threat to the human race that we have ever faced.
[Fighting Climate Change] is important for every single person on the planet, which is why it has to be the greatest grassroots movement of all time. This is the battle of our lives. We're fighting for our children.
But when I lose my temper, I find it difficult to forgive myself. I feel I've failed. I can be calm in a crisis, in the face of death or things that hurt badly. I don't get hysterical, which may be masochistic of me.
British aren't really known for their physical loveliness but firemen, generally speaking, are gorgeous.
It's such a cold night and it's the only time I've actively been grateful for menopause. I've been entirely comfortable.
A lot of people in my world - in the acting world - have either lost friends to Aids or live with HIV because its origin in our culture, in New York for instance, was in the gay community.
I was in Los Angeles making 'Dead Again' and the producer, Lindsay Doran , asked me if I'd be interested in adapting this book, .. Austen is my favorite author and I thought, 'Well, of course, I'd be very interested, but I don't know how. I don't know where to start, A, writing a screenplay and B, sort of adapting it from a great novel.
I have to write for everyone. What really fascinates me is how you make films or make stories that can genuinely be shared by different groups.
I think we're creating a situation that's incredibly dangerous. There's a lot of chat at the moment about the war on terror and whilst there are many causes for acts of terrorism, what kind of society are you creating if you allow civil society in Africa to die and create millions upon millions of orphans? Where are they going to go? What kind of cults, what kind of militias, what's going to happen? The accession of violence in those countries, the possibility of that, to me is very terrifying.
I want a different world. One where I don't wake up thinking I'm so lucky to be able to feed my daughter, and able to give people a clean drink of water. I don't want images of starving babies at the breast in my mind. I want that to change. And if I want that, I had better do something about it.
Difficult for actors to extemporise in nineteenth-century English. Except for Robert Hardy and Elizabeth Spriggs, who speak that way anyway.