I'm insecure, and I need the validation of strangers to feel whole. So, I need every single racist 12-year-old on the Internet to like me, or I don't feel complete.
I'm an elderly Jewish lesbian trapped in a 33 year old nerd's body.
I'm a lurker and a creep. Women don't like me because I sleep standing up, like a horse.
A hole is a hole has always been my motto.
I will smoke crack before I die. I want to see what all the hubbub is about.
I can't tell if the world is worse now or if we just have more cameras. There are cameras everywhere, so now the world knows how bad the world is.
I think everyone is bi, right? There's no such thing as sexual orientation, or race, or gender. Those are all obsolete man-made concepts.
I think we give human beings too much credit. We're primates, you know.
I'm an Aries. I need everybody to like me.
Do you think we're going to hit a tipping point and the world's going to end?
I care a lot; I'm very sensitive.
Before The Simpsons, I was 4 years old, so I don't know exactly what I was thinking before that.
The president is the country's scapegoat more than the country's leader; the president has as much power as we think the president has. Whoever has the most money is the puppet master.
Like I said, a sketch is one joke. They shouldn't really be more than a minute, two minutes. There are some shows where the sketch goes on for five minutes. It's like, "I get it! I'm already bored. I did like the joke, but I don't anymore, because you went on too long."
I'm not a very good actor, so I break character all the time.
All motivation is defined by intention. If the intention is to hurt, divide, or belittle, it's wrong; if it's an attempt to cope with or make sense of tragedy, it's something different. If it's commenting on society's flaws, versus adding to society's flaws, I think the audience can tell.
When I'm watching South Park I don't think it's written by neo-Nazis. They know exactly what they're doing.
Let's hit the joke once and move on to the next joke and just keep it where we have as many jokes per square inch as possible.
Wonder Showzen is one of my favorite shows of all time. When I first saw it, I thought it was so funny and new and original and edgy and insane and subversive. I didn't know comedy could do that.
I feel like we put all the weight on the president, rather than distributing the weight to all of the elected officials.
You can make fun of your own a lot easier than someone else's.
You can't really feel the direct change from one president to another versus people closer to you in local elections.
I feel the acting conservatory taught me how to be a working actor in the 1700s. We learned stuff like 'to the back of the auditorium, to the back of the auditorium' and the liquid "u." 'The payment is duuue on Tuuuesday.' I also learned how to fence. If anything, when I moved to Los Angeles, I didn't fit in, in any way. I had to do comedy, because I was talking so pretentiously.
I just grew up with it [The Simpsons]. The first season came on when I was 5, 6 years old, and the show evolved as I was growing up and got funnier and funnier and, by the time I was in 12th grade, they were at their funniest.
If the crowd is full of assholes, it's no fun. If the crowd is cool, it's great.
