When you write you have a certain vision of how it could be and it's great to be able to see it all the way to the goal line.
Sometimes I want to watch movies both to see what to do and what not to do also.
I think a lot of the production process is always giving yourself, like what I call like escape routes, like, if this scene doesn't play, if we realize we've had too many dirty scenes in a row, and it's like, because you don't have the luxury when you're in the middle of shooting, to see how these scenes play all in a row, kind of, you know what I mean. So, like we're always trying to like have insurance policies on, ok, if that doesn't work, we can just jump to this thing.
I think that what a lot of people tell you, a lot of the job of the director is having an opinion about everything.
