It's hot as hell as can be.
Start three bars before something.
Someone came too sooner.
Start at B. Yes. No. Yes. No.
Suddenly I was in the right tempo - but it wasn't.
It is not together, but the ensemble is perfect.
Don't think you are looking at me because you are not.
Did you play? It sounded very good.
It's so legato it's difficult to splice. Sibelius was famous for that.
[conductor Eugene Ormandy introduces Warfield to the audience in an unintentionally humorous way:] With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.
That's the way it was every time I studied it.
It's difficult to remember when you haven't played it before.
Brass, stay down all summer.
The next movement is still in the factory.
I told him he'd have a heart attack a year ago, but unfortunately he lived a year longer.
I cannot give it to you, so try to watch me.
I'm conducting slowly because I don't know the tempo.
Thank you for your cooperation and vice versa.
More basses, because you are so far away.
I need one more bass less.
Long note? Yes. Make it seem short.
Muti is going to do the Alpine Symphony this year. He will do it well because it is not very well known.
