The careers that I admire and actually try to emulate are those of Julianne Moore and Annette Bening. Those women, to me, make amazing choices. They're sexy, beautiful women, but that doesn't dictate their choices.
I keep my backstory pretty private and personal.
The biographies are very enlightening because you realise, "Oh my God, all these people I’ve admired - and tried to emulate even - when I was younger died tragically from substance abuse.
When people write lies about you, and you know that they are lies, that means that they don't know the truth, so that's OK with me. If something true came out, I would have to check my circle to see who's talking and possibly make an apology phone call to my parents!
I really like nice forearms - nice strong hands and forearms. I love that because then they can wear a watch really well.
I like a mysterious man. I like a man who reads and is knowledgeable about the world, but who doesn’t have to brag about it.
I'm very free with my sexuality, but not everywhere all the time. I pick and choose when I do nudity, and who I do it for when I'm working, and when I'm doing it. I've done nudity twice in a film.
I don't come from a wealthy or privileged background, and growing up I was always looking for the best quality at a price I could afford. My love of vintage is rooted in that. Drugstores were the mecca for the latest makeup trends and products.
Being sexy is just one component. It's not a thing I am. It's a thing I can be. It's a side of myself I can tap into, just like I can tap into my funny side, my quirky side or my dramatic side. It's not what I am.
What's interesting is that my style is a lot crazier than what I project out there. It's a lot edgier.
I've taken [acting] class with Larry Moss, who's more kind of in the theater world, so he's really educated me about playwrights.
I'm drawn to a lot of tragedies, and I love a Greek tragedy.But I would think - I start thinking realistically about it, and performing eight days a week, that would take a toll. I take things to heart. I don't know if I could survive, like, "Medea."
I think it would be so fun to do some kind of comedy, something - I'm not exactly sure, but something like I just did Moliere's "Tartuffe" in class, and wow, what a stretch. Why go to classes? I get to play in Moliere's "Tartuffe," and I could never - nobody would ever think that they would be, I'd be right for that.
I want my mother to think - she's a tough fashion critic.
I always see something for sure one time and then I make myself see it a second time. Because second time is like, 'OK, I'm not that bad. I'm not that horrible.' But the first time I just think I'm god-awful.
Yet in the celebrity-obsessed culture, where everything of you is a shot on the red carpet, I don't want that to dominate my image. First and foremost, I am an actor. I want great roles.
I've never had a problem with nudity, but I don't put it out there without a reason.
I love the little suckers; they're so cute. But I love sleep so much, and I worry about everything.
But I've never felt objectified. Nothing you see me do is an accident.
I love sleeping. If there was an Olympics for it, I'd take gold. I'm Cuban. We love to sleep.
I don't go to premieres. I attend film openings I'm in, and that's about it. Fame and celebrity doesn't matter to me. The longevity of my career does.
I just want to be known for things other than my sexuality.
