For me, the arts are just an endless source of intelligence, brilliance, imagination, and originality.
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
Not only did she [Marilyn Monroe] master her own image, create it and ultimately control it, she was the subject of many of the great masters of photography of the 20th century.
She [Marilyn Monroe] wasn't the most incredibly beautiful. She's rather ordinary. Cute, but no Rita Hayworth. I think she was ready for the camera, and it was a real destiny for her.
I don't think she [Marilyn Monroe] saw herself as victimized and a sex object. She knew how to contend with it. I'm sure she was no fool about it. On the one hand, it was very flattering and great; on the other hand, it was probably awful and could be very lascivious and very terrible. But I think a lot of women just wanted to be like her. And that's still true today.
