My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.
I like - it's not that I want to be someone different from me, but I suppose it partly is that. I love creating a character in a fantastical situation, like Dr. Frankenstein, like Leo Bloom, a little caterpillar who blossoms into a butterfly. I love that.
Gene Wilder characters wanted to be calm, but to the great delight of audiences, they rarely succeeded.
In fact, [Gene Wilder] had made a hysteric seem considerably less funny in his film debut as a terrified undertaker in "Bonnie And Clyde." And neurotics soon became his stock-in-trade, whether he was playing the weird title character in "Willy Wonka And The Chocolate Factory..."
You say the character [of Leo Bloom] was meek and insecure, and you could've been describing me as well. I was a very shy person in those days, and working with Zero [Mostel], who was bigger than life, helped me grow. Zero was a strong influence on me.
