I absolutely adore the alchemy of a bit of an idea.
In Irish law, busking is considered vagrancy - you can be arrested for it. It's risky asking people for money in public. So it's not like it's a high-art job. And people who do it as a high-art job make very little money.
I just didn't realize, being a young person, that if you sign up to make a film, a certain portion of your soul is forever gone. From there on, you are that character to everybody you'll ever meet again.
I pick up my guitar and play. Something might come, and then the pen comes out. Then an edit, until something comes out that you're actually satisfied with.
I love the idea of leaving some of the original abstract thought in, because the problem is that when you pick up a pen you become a snob, your own worse critic. You edit yourself in a way that is non-creative.
And for some reason, when I'm sad, I do listen to Leonard Cohen, I do listen to Joni Mitchell. I do find myself going to the music that's actually reflecting my mood, as opposed to sticking on Motown, which might actually bring my mood up.
If you stand still in any city long enough, you see everyone pass you by. So you're in Chicago. If you stand on the corner of Belmont and Clark, and you do that for three years, you'll pretty much have seen everybody in Chicago pass that junction.
I'm not an actor, and I'll never call myself an actor. I've never thought of it as part of my life. I'll always be a singer, in my eyes.
I busked from the age of 13 until I was 18.
I've always loved playing solo. I guess in a way I just feel blessed to be able to make music. My favorite thing is usually whatever I'm doing right there and then.
You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings.
And I've always loved playing solo.
I only ever really take out my guitar when I'm miserable, which isn't necessarily a very good time to do it.
Relationships can be about yourself, they can be about you and your god, you and your people, you and your family. It can be about a lot of different stuff. And it is.
Keeping the pen out of your hand as much as possible is the best way to write a song, in my estimation. But the pen must come in to tighten it up.
Sometimes travelling really intensely for a long time is like having a continuous nervous breakdown.
Well, everything about singing, I learned from busking. Everything I learned about songwriting, I learned from busking.
What happens to us all, I think, when we pick up a pen, is that we just become snobs.
I think ultimately, people are selfish in that department [blues], in a good way - the reason we're attracted to art is because it somehow reflects us. And I think, ultimately, we're a tribal people by nature. We're not individualistic. We almost like to hear that there's other people in a worse state than us. Sometimes even more than we like hearing there are people in better states than us.
You know, when I was a kid waiting on the bus, I remember that was when I imagined my life. I imagined everything that I was gonna be when I grew up and I imagined all of these amazing journeys and amazing people Id meet. Of course, all of it has kind of come to fruition.