To play Cleopatra on Broadway would just be incredible.
I'm not turning my back on classical theater. It's all about opportunities and timing a lot of the time when things come up.
Because of my job, my hair gets played with a lot on set, so I try to give it little bit of breathing space when Im not working.
I think there are parts of myself in every character I play.
I was working in the States when Brexit was going on back home in England. I often think that maybe I got a little complacent on the situation since I wasn't physically there. That's when I realized, Wow, anything is possible.
There is the old boys' club, but there are people who are "conviction lobbyists" coming from the heart.
I was born in the '80s, so I don't really remember it very strongly, but the music is so iconic.
I like being free to take on any project that inspires me and to trust that the work will speak for itself.
From the age of four, I loved ballet and tap. I was in the school band, the choir, and all my school plays.
I try to put myself into whatever character I play.
I'm interested in playing lots of different complex women.
I always get a little bit scared reading reviews.
