Honestly I'm excited about the possibilities of what comes next, and the funny thing is, that is sort of what "Star Wars" is kind of about. I mean, I remember being 10 years old and seeing that movie and leaving the theater and feeling like, oh, my God, anything is possible. And I feel like anything is possible right now. I don't know what's next, but I look forward to it.
If you watch the first [Star Wars] movie, you don't actually know exactly what the Empire is trying to do. They're going to rule by fear -- but you don't know what their endgame is. You don't know what Leia is princess of. You don't yet understand who Jabba the Hutt is, even though there is a reference to him. You don't know that Vader is Luke's father, Leia is his sister -- but the possibility is all there. The beauty of that movie was that it was an unfamiliar world, and yet you wanted to see it expand and to see where it went.
I was more of a Star Wars kid, actually. I always thought Star Trek was a lot of talk, and it felt a little self-important. It was hard for me to get into it.
'Star Wars: Episode IV - A New Hope' (1977) is probably the most influential film of my generation. That work was the personification of good and evil and the way it opened up the world to space adventure, the way westerns had to our parents' generations, it left an indelible imprint. So, in a way, everything that any of us does is somehow directly or indirectly affected by the experience of seeing those first three films.
As a kid, 'Star Wars' was much more my thing than 'Star Trek' was.
But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
On movies like Star Trek and Star Wars, you have so much that will be created or extended digitally, and it's a slippery slope where you can get lost in a world of synthetic.
Well, you know, going into any project, especially with a fan base as vocal and passionate as something as "Star Wars," you will have groups of people who will find issues with whatever it is you're doing. But our job was to tell the best story we could about characters that we loved, and we knew that we needed to go backwards to go forwards, and we needed to go back to a feeling and a place and a time.
And the parents who knew "Star Wars" could take kids and feel like they've gone back to a place that is familiar and yet found brand-new characters that took them somewhere they'd never been. And it was important me that we embrace that feeling, and you can call it retro, but I think it's what "Star Wars" is.
Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
You know, we didn't want to kill anyone, but we knew that "Star Wars" is a generational tale. It always is. And for it to have some guts and some resonance and true stakes, I don't think that everyone could have come through the story unscathed.
We went on the opening weekend [of Star Wars], a group of us went out and just popped into a couple theaters just to see people in the theater watching the movie, and it was incredibly gratifying just to see the thing out there being watched by people. And the reaction was more than we could've expected.
