All of the experiments are really cool. Probably one of the better ones is "Running in the Rain." It depends on circumstances: how fast are you running, if there's wind, or any of the other things involved with the circumstances of running in the rain. That's a favorite, I suppose.
One of the things I'm likely to start building in my shop is a vehicle wherein each wheel has basically a flight-simulator base as its suspension. It's known as a hexapod; it's basically a tripod but each leg is two pistons. So you have six axes of freedom on it. This will be something that can not only do what lowriders do, but shorten or extend its wheelbase and jump forwards, backwards, or from one side to the other. In an off-road situation it could be rolling at speed toward a ravine and then leap across it.
Dealing with effects, as a job it's great, but with Mythbusters, the stuff we've seen, the stuff we've absorbed over the years, has just been fantastic, and I wouldn't change it for the world.
There are a lot of times when we can just time something and say "busted" or "confirmed" or whatever, instead of building a robot or some gadget to make it happen more elaborately. In those cases, we're simply enjoying ourselves.
We've found that the biggest thing as far as the danger is simply pressure.When we work with explosives, we've got bomb technicians there, bomb-squad guys who go into unknown situations all the time, and they've dealt with it safely.
If it turns out that we're doing proper science from time to time, it just happens to be that that's the most efficient way of doing it. We go into each of these stories with an open mind, and one of the great things about how the show works is that we're not approaching it from a doctoral point of view, we're just trying to see what happens.
I think "MythBusters" is a step up from special effects because we not only have to make things look like they work, they actually do have to work. It's more challenging and even transcendental.
There's no director who wants to portray cheese puffs with a certain color that's going to make or break the commercial, in his opinion. We don't have to do that, so I don't miss it at all, really.
