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John Ruskin Quotes - Page 11

Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.

John Ruskin (1869). “Modern Painters: pt. 6. Of leaf beauty. pt. 7. Of cloud beauty. pt. 8-9. Of ideas of relation: Of invention formal. Of invention spiritual”, p.164

Race is precisely of as much consequence in man as it is in any animal.

John Ruskin (1869). “Modern Painters: pt. 6. Of leaf beauty. pt. 7. Of cloud beauty. pt. 8-9. Of ideas of relation: Of invention formal. Of invention spiritual”, p.276

I desire ... to leave this one great fact clearly stated. THERE IS NO WEALTH BUT LIFE.

John Ruskin (2007). “Unto This Last”, p.90, Filiquarian Publishing, LLC.

In the utmost solitudes of nature, the existence of hell seems to me as legibly declared by a thousand spiritual utterances as that of heaven.

John Ruskin, Louisa Caroline Tuthill (1858). “The true and the beautiful in nature, art, morals, and religion”, p.332

All traveling becomes dull in exact proportion to its rapidity.

John Ruskin (1850). “Modern Painters: pt. 4. Of many things”, p.300

All really great pictures exhibit the general habits of nature, manifested in some peculiar, rare, and beautiful way.

John Ruskin, Louisa Caroline Tuthill (1860). “The True and the Beautiful in Nature, Art, Morals and Religion: Selected from the Works of John Ruskin...”, p.254

All the best things and treasures of this world are not to be produced by each generation for itself; but we are all intended, not to carve our work in snow that will melt, but each and all of us to be continually rolling a great white gathering snow-ball, higher and higher, larger and larger, along the Alps of human power.

John Ruskin (188?). “Works: "A joy forever." The art of England. "Our fathers have told us." The laws of Fesole. The pleasures of England. Fiction fair and foul. Notes on the construction of sheepfolds. Inaugural address ... Cambridge School of Art, October 29th, 1858. The storm cloud of the nineteenth century. The opening of the Crystal Palace”

Always stand by form against force.

John Ruskin (1872). “The Queen of the Air: Being a Study of the Greek Myths of Cloud and Storm”, p.66

At every moment of our lives we should be trying to find out, not in what we differ with other people, but in what we agree with them.

John Ruskin, John D. Rosenberg (1964). “The Genius of John Ruskin: Selections from His Writings”, p.354, University of Virginia Press

The only absolutely and unapproachably heroic element in the soldier's work seems to be-that he is paid little for it-and regularly.

John Ruskin, John D. Rosenberg (1964). “The Genius of John Ruskin: Selections from His Writings”, p.288, University of Virginia Press

The art of nations is to be accumulative, just as science and history are; the work of living men not superseding, but building itself upon the work of the past.

John Ruskin (1872). “The Political Economy of Art: Being the Substance (with Additions) of Two Lectures Delivered at Manchester, July 10th and 13th, 1857”, p.56

In painting as in eloquence, the greater your strength, the quieter your manner.

"Modern Painters". Book by John Ruskin. Volume V, part VIII, chapter III, 1860.