Johnny Depp Quotes - Page 11

Every filmmaker's different, every filmmaker has a different approach.

An actor shouldn't have to leave the set and go home and write a bunch of stuff for a bunch of other people, the next day. I found it very unpleasant.

When I got the job, I was sure that I wasn't going to get the job because Tom Cruise almost got the job.

This dress code should be mandatory for most events.

The idea of dancing is the only thing that scares me.

Any man who had to carry a child would cave in around month two.

One thing that's been a great, uplifting experience through all this is, since the first "Pirates" [movie], the people who've gone to see the films, the audience members. You meet people on the street - whether they're 5, 25, 65 or 85 - they've all had the same experience, and they've all enjoyed it. So that's what keeps me moving forward in this crazy process.

I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.

Somehow you've been voted something for a magazine, and it's a complete mystery to me. I wake up and I have to look at that head when I brush my teeth every morning, you know. And it's weird. And it's unpleasant at times.

My self-image it still isn't that alright. No matter how famous I am, no matter how many people go to see my movies, I still have the idea that I'm that pale no-hoper that I used to be. A pale no-hoper that happens to be a little lucky now. Tomorrow it'll be all over, then I'll have to go back to selling pens again.

Luckily I am very, very privileged and feel very lucky to be getting work and my kiddies are not feeling the brunt of any kind of horror that's going on today. So I'm super lucky.

I mean, I think everybody should probably approach a film that it's another unwanted thing. That's going to be seared onto my brain for the rest of my life. Thank you for that.

I'm all for whatever it takes to get wherever you need to get with a character, as long as you don't wipe it on me.

I was really intrigued by them, became fascinated by them because they were asking questions that couldn't be answered almost, or were making statements that you couldn't quite understand. Like, 'I'm investigating things that begin with the letter M.' That took me through a whole stratosphere of possibilities, and doing a little research and discovered that the M is mercury.

I'd worked with Marlon [Brando] a couple of times, and he was a practical joker. He was far more interested in getting jokes out than getting the words out. We laughed all the time.

I toyed with the idea of what it might be like to live with some species of heatstroke that maybe didn't go away all that quickly. He's a pirate, which is about rum, sodomy and the lash, isn't it? So, to be able to keep things like that in my head, when I'm going to do a film for Disney, I'd been through the ringer. That was like infiltrating the enemy camp. I wasn't able to stop smiling.

I always figured that once I wrapped a film, then anything beyond that is none of my business. If I can avoid seeing the final product, then all I have in my head is feeling good about the experience.

Here I was going to work with Pacino thinking, "I'm not going to get lucky twice. There's no way. This guy is going to hand me my ass." He looks like the kind of guy who's going to hand you your ass. It's Al Pacino.

I went through various stages in my childhood, as we all do, various stages of obsessions with people and things. And I did. I wanted to be the first white Harlem Globetrotter.

People get famous now for I-don't-know-what. People have reality shows because they're a Hollywood socialite, and these things become very successful and they generate a shitload of money for the company. And it's multiplying, to where you're literally looking into your next door neighbor's bathroom with reckless abandon. It is like watching a fire. You can't take your eyes off of it.

I always had an affinity for lizards. I've always felt somewhat close to them. They're reptiles. I find myself feeling somewhat reptilian at times.

One of the greatest things I've ever seen happen was the morning I opened the newspaper and it said that some very powerful government officials had decided to change the name of “french fries” to “freedoom fries” and “french toast” to “freedom toast”. It was impressive. I wanted to write a letter to them just to thank them, just for proving globally that they were absolute imbeciles.

There's the whole Mad Hatter's dilemma, it was the amount of mercury that they used in the glue to make the hats. Everything was damaging. So, in terms of the Mad Hatter, looking at it from that perspective of this guy who literally is damaged goods, physically damaged, emotionally a little obtuse, and taking that and deciding that he should be - as opposed to just this hyper, nutty guy - he should explore all sides of the personality at an extreme level.

And because technology is moving so rapidly, things become obsolete very, very quickly. In 15 years time, Will Caster is probably going to be in some weird room in Vegas where people are plugging quarters into him. Who has a mini-disc of a laser disc player? It's over!

I don't do well with modern films, to be honest. Opening credits, and I'm just gone.