Julie Benz Quotes - Page 2

And I'm not very coordinated, either. Only on ice skates, not in real life.

I think for me it was a natural transition to move full time into acting rather than figure skating.

I would love to re-visit Darla. I miss her. I really do.

No one ever asks me about Breeze O'Rourke! I did the pilot for[Payne] right after Jawbreaker, or at least right around the same time, and it was an Americanized version of Fawlty Towers. That was the first time I worked with John Larroquette, and it was definitely not the last time.

I actually started, this year, doing some voiceovers. I did some radio spots, and some games.

When they took me to do the camera test for the vampire make up, after they put the prosthetic on, I went though the entire process, I went back to my trailer and I looked in the mirror and I smiled.

I loved everything about that movie [Jawbreaker]. The fashion, the friendship amongst all of us girls... it was great. We had a blast filming it, and it was really wonderful. It was a very special time.

I have so many people come up to me, 20-some years later, and saying, "I loved you in Jawbreaker!".

It was fun to play that surreal high school life [in Jawbreaker]. I was a huge fan of the movie Heathers. But I think at the time - you know, when the movie was released, it was a very limited release, and it didn't do very well at the box office. And I love the fact that it has found legs and that the audience has kept growing and growing over the years.

That movie [Jawbreaker] was so much fun to shoot. We were all in our mid-20s at the time, playing high school students. Which was the point. It was the point of the film to hire older actors to play high school students. But we had a blast.

[ Angel series] really taught me that acting is not just about being emotionally challenged. It's about being physically challenged. And I enjoyed both aspects of that.

I got cast in [Punisher: War Zone] and showed up in Montreal two days before the film started, and they said, "We need you to do a New York accent." And I was, like, "What?! Why didn't you tell me this, oh, I don't know, two weeks ago, when you cast me?".

I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.

I always say that No Ordinary Family was the show that should've been.

So it's nice to know that Rita had that impact, and it was nice to end a character on a high note like that. But, again, in the moment... I always say, nobody was more devastated than me [from Rita's death in Dexter]!

I still have people coming up to me, and it was, what, six or seven years ago when that finale aired? And they tell me who they were watching with, what their emotional reaction was, and how they were devastated for weeks about [Rita's death in Dexter].

It's a moment that I will be asked about for the rest of my life as an actor, and I carry that moment with pride, that Rita [in Dexter] had such an impact and that it was such a gut-wrenching moment for audience members.

I'd always thought that acting was, like, you had to work really hard, you had to change the way you walked, you talked, and all of that. But that's not acting. That's shmacting.

As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.

When I first auditioned for Dexter... Well, I was sent the script, and I read it and loved it, and I knew right away that it was going to be a hit because it's the type of programming that I like to watch. It's that very morally ambiguous thing where you find yourself rooting for someone who's really an awful person, but... is he doing good? You're constantly calling into question your own moral code. I love that as an audience member.

I had to do some emergency cram sessions with the dialogue coach on set [of the Punisher: War Zone]. But it was fun, because every actor on that movie had to do an accent, so we were all talking the whole time in our accents.

The fans are just as passionate about the projects as we are about making them.

I love the fans of genre. Genre fans are the best fans. They're loyal, they're dedicated, and they're passionate about the projects. They get it on a cerebral level. Being a part of that culture and that world... It's very gratifying and very fulfilling.

I've had a career where I've bounced around a lot between different genres, and I feel very lucky and very blessed that that's happened to me.

We shot [Hi Honey, I'm Home] on location in Orlando, Florida, so I was there by myself. And I remember I was late one day, and Gale Gordon pulled me aside, and he said, "Honey, when it says you have to be here at 10 a.m., you need to be here at 9:30." And ever since, I've always been a half-hour early to my call time!