Julie Benz Quotes - Page 3

I remember Gale Gordon was in the pilot [of Hi Honey, I'm Home], and it was one of my very first professional gigs without having an adult take me to the job.

It was a really wonderful experience [at Hi Honey, I'm Home show]. I loved Nick At Nite at the time, and I was obsessed with watching it, so just to meet some of the more experienced stars of the older shows was a real treat and a thrill for me.

I was 18 years old when I did the pilot [of Hi Honey, I'm Home], so I was a freshman at NYU, and it was one of my first professional auditions in New York City. And I somehow booked the job. I have no idea how.

Having just read the script [Havenhurst] and then add having seen a ghost, I went to Andrew [Erin], and I was, like, "Okay, I have to do this movie. I just have to! I don't know why, but I just have to do it." And I ended up getting the role.

I read the script [Havenhurst] and I went to bed, but I woke up because somebody had knocked on my door. Or at least it seemed like somebody knocked on my door at, like, 4 in the morning.

[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel.

I was sent the script [of Havenhurst ], and I was out of town at the time, so I did a site meeting with Andrew [Erin]. It was so bizarre. I was staying in a hotel at the time, and the night before the meeting with Andrew, I learned there was a ghost in the hotel.

It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.

[Two Evil Eyes] was shot in Pittsburgh, and that's where I was born and raised, so it was really nice to be a part of Pittsburgh film culture.

[Dario Argento] would yell at you in Italian, and I'd have no idea what he was saying. I'd just go, "Okay!". But it was a really great experience [filming Two Evil Eyes ].

Working with Dario [Argento] was a lot of fun. He's a larger-than-life character, and with an Italian accent.

I really didn't know who Dario [Argento] was. I didn't know who Harvey Keitel was. It was a wonderful experience, though.

[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.

The hardest thing to do as an actor is to be simplistic, and to just be.

I had the prosthetics on, and I went to my trailer, I looked in the mirror, and I smiled. And I was, like, "This is the character - everything she does is with a smile and a bit of glee and joy." And that's how I created Darla [from Buffy The Vampire Slayer]. Prior to that, I was, like, "I have no idea how to play this 400-year-old vampire from hell!".

I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.

I remember they did all the makeup tests on me for Darla... Sorry, for "the vampire." I was the test monkey for the vampire look, so I went through numerous variations of the prosthetics and camera tests before I actually got the job.

[Joss Whedon and David Greenwalt] pushed me out of my comfort zone [in Buffy The Vampire Slayer ].

I'd been doing comedy up that point and hadn't really done a lot of drama, and then all of a sudden he casts me as a 400-year-old vampire from hell. It was, like, "What?!"

[Payne] was a really great experience, and both John [ Larroquette] and JoBeth [Williams] over the years, it's been great reconnecting with them and working with them on other projects as well.

I think [John Larroquette] did a great job. I really do. And he's so wonderful and generous to work with.

[John Larroquette] is one of the smartest men I've ever met. He's very cerebral and book-smart. He would say things and I'd have to go look them up, thinking, "That can't be true!" And they'd be true.

[John Larroquette] is very generous as the star of a show. He always made sure that if we had a joke that didn't work or something, he'd fight for the other actors.

I just don't think [Payne] was the right time to do it, maybe. It was timing, not so much that it was executed wrong.

I loved working on that show [Defiance]. I mean, that show was brutal. We worked long, brutal hours in really brutal weather.