Kate Zambreno Quotes

I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.

I am curious to see what books will emerge from all this writing online that's the result of those who grew up pouring their feelings out on Livejournal or Tumblr - excessive, sometimes automatic, sometimes enraged, emotional, while also quite intellectual - or if formal books will emerge at all, if that's not the point of these unmediated raw spaces. I'm excited by the possibility.

The hope in literature is that we are allowed to be imperfect, to write of our imperfection, without being overly critiqued for being unlikeable.

All of my wildness is in the writing. I have discovered I have to be orderly and boring in my personal life to be wild in my work.

I think the female first-person is still dismissed, demonized, especially if the book does not end on an empowering note, especially if the main character is perceived as unlikeable, or too privileged.

The biographies of the great men see their excesses as signs of their greatness. But Jean Rhys, in her biography, is read as borderline; Anaïs Nin is borderline; Djuna is borderline; etc. etc. Borderline personality disorder being an overwhelmingly gendered diagnosis. I write in Heroines: “The charges of borderline personality disorder are the same charges against girls writing literature, I realize - too emotional, too impulsive, no boundaries."

I try to tell student writers to read as much as possible, not only literature but philosophy, theory, and to form obsessions. There's a big taboo in fiction creative writing workshops against using the self at all, and I think I try to encourage students to write the self, but to connect the self to something larger, which is to be this thinking, seeing, searching, eternally curious person, and that writing can come out of investigating and trying to understand confusion, and doubts, and obsessions.

If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives.

I think the mad wives and mistresses are my hysterics - even the fictionalized ones. I want to trace how they were silenced, I want to find for them an escape route.

I am worthy of being read. I mean, one has to be convinced of one's genius.

For years and years I carried these notebooks around with me - I had hundreds of pages of notes, these fragments that consisted of biographical anecdotes, diary passages, critical rants, agitations, scenes of my marriage.

My writing has always been considered extremely important, even though I make slim-to-no money at it.

I am home because I am a writer, but sometimes, when I'm not productive (productivity: the expectations of capitalism), I feel like a terrible housewife, or a sick person.

I do think that memoirs by women are reviewed differently and considered somewhat outside of the canon.

I think that writing and publishing are different. I think I will always write; I might not always publish. The idea of not publishing is wonderful!

I think for a woman, getting older can help, through personal experience, although of course older women are then rendered invisible in our society, another existential crisis.

I don't think men experience the embargo on channeling the autobiography in their literature.

When I get too worked up about things I have always escaped into catatonia.

The concept of "girl-on-girl crime" is perplexing to me, and it happens in many ways. There are those, who refuse to identify with women as a group, preferring the shade of the mythologized men, who want to keep up the status quo.

I have almost never been compared to male writers in any review. All women.

I think the online space can be a free space, in that we are not reliant online on the publishing industry or readers who just don't get it.

For years I lived rather medicated and muted - I did not possess language to describe my vague feelings of unhappiness, to politicize it, to attempt to transcend it.

One of my moments of coming to writing, of needing to write to attempt to create myself, to attempt to absolve and understand my past passivity, came when a girl I loved very much, who I had been estranged from for some time, killed herself.

Patriarchy is having the power to name.

I think genius can have a lot to do with nerve. And permission.