The problem I have these days is that women are often cast in a role - as a police officer, for example - and then are invariably perceived by the other characters as succeeding in a man's job, as if they're doing it in spite of being women.
I ran into Stephen King once in New York a few years ago and outside the Carlyle and he said, "You're in the pink." Which sounded so Stephen King. He's doing well I think after his accident and all of that, years and years ago.
I think that being in an environment is a much richer experience than just working on a soundstage.
The Oscar changed everything. Better salary, working with better people, better projects, more exposure, less privacy.
I have no idea and I think Steven King strongest suit is the characters that he does create, all in the same area where he lives. The way he describes them is one of his fortes and it boggles my mind how he's able to do that and to create so many. It must be thousands by now.
I see my sisters, my mother, my grandmother. I like the way I look. I think I have a nice face. I like my eyes, my mouth. I have a good nose. I have good skin.
For a long time I did not want to do television because I did not want to get stuck playing the same person. I wanted the ongoing challenge of a variety of roles.
My 14-year-old grandniece is not allowed to watch 'American Horror Story' yet.
The thing that I've run up against is that it's always been an either-or proposition, especially in Hollywood. You're either young and glamorous and you're going to get the lead and get the man at the end of the picture, or it's the opposite: you're a character actress, you're not attractive enough for the other role, and so you're playing the friend or the killer or the lesbian or the doctor or whatever.
I'm very lucky to be able to do what I love to do, and I hope I can keep doing it for a while.
Alexander Payne's very specific. His scripts are always complete when you start working on them.
It was also wonderful to have the prospect of playing with Jack Nicholson. It was a terrific part, a terrific script, with Alexander Payne and Jack Nicholson. You can't get any better than that!
O.K., we had women's lib in the '60s, the women fought for their roles, they're out there in the work force. Now let's talk about how they're dealing with things as human beings.
Because I'm a woman, because I'm a character actress, because I'm over 40, I'll be very interested to see, not just for me but for other actresses, how Hollywood treats us in the next ten, fifteen years. I'm hoping that it's not going to be so easy to shove people under the rug, as they have in the past.
I heard I'm going to have scenes with Lady Gaga so I'm hoping it's true. I know of one scene I have.
You hope that the same people are coming back. I love playing with Angela [Bassett]. She's fierce. I met her years and years ago when she was a student at Yale, so to see her do these fierce roles and go on to [be] this powerhouse has just been awesome.
I was a Stephen King fan and I was amazed that I got the chance to play that role and very glad that I did.
A lot of guys come up talking about The Waterboy. I get a lot of that. Misery, Delores Claiborne and The Waterboy, those are the main ones I get.
I have always had a problem with my weight.
After winning the Oscar, I was committed to do 'Fried Green Tomatoes,' but I didn't know what the next thing would be after that. It was a scary time. But the advantage of TV is the regular work. All you need is a hit series, I guess.
I try to always stretch myself to fit the characters that have been presented.
I hope I look skinnier in 3D. I hope I don't look three times as fat. That'll be disappointing.
I haven't talked much about being an ovarian cancer survivor because I don't really want to define myself that way.
I'm not that conservative. I do feel - I guess I'm more of a Democrat at heart, although I've never affiliated myself with a particular party.
I'm not a stunning woman.