Lauren Oliver Quotes - Page 14

I hate both of my parents right now: for sitting quietly in our house, while out in the darkness my heart was beating away all of the seconds of my life, ticking them off one by one until my time was up; for letting the thread between us stretch so far and so thin that the moment it was severed for good they didn't even feel it.

Something aches at the very core of me, something ancient and deep and stronger than words: the filament that joins each of us to the root of existence, that ancient thing unfurling and resisting and grappling, desperately, for a foothold, a way to stay here, breathe, keep going.

Perhaps this was how the sparrows did it too; perhaps they were looking so hard at the peaks and tips of the new rooftops coated with dew, and the vast new horizon, that they only forgot that they did not know how to fly until they were already in midair.

Something must die so that others can live.

If he were less well trained, and less careful, he would say hate. But he can’t say it; it is too close to passion, and passion is too close to love, and love is amor deliria nervosa, the deadliest of all deadly things: It is the reason for the games of pretend, for the secret selves, for the spasms in the throat.

I’m Hana,” Hana says. “And this is Lena.” She jabs me with an elbow. I know I must look like a fish, standing there with my mouth gaping open, but I’m too outraged to speak. He’s lying. I know he’s the one I saw yesterday, would bet my life on it. “Alex. Nice to meet you.” Alex keeps his eyes on me as he and Hana shake hands. Then he extends a hand to me. “Lena,” he says thoughtfully. “I’ve never heard that name before.

For a second we just stand there in silence. Then, suddenly, Alex is back, easy and smiling again. “I left a note for you one time. In the Governor’s fist, you know?” I left a note for you one time. It’s impossible, too crazy to think about, and I hear myself repeating, “You left a note for me?” “I’m pretty sure it said something stupid. Just hi, and a smiley face, and my name. But then you stopped coming.” He shrugs. “It’s probably still there. The note, I mean. Probably just a bit of paper pulp by now.

I vowed after that day that I would be your hero too, no matter how long it took

This is what hatred is. It will feed you and at the same time turn you to rot.

They’d already taken her from me once. I didn’t want to lose her again.

I need him to know that I came for him. I need him to know that somehow, at some point in the tunnels, I began to love him.

That is the strangest thing about the world: how it looks so different from every point of view.

Additionally, Liesl and Po is the embodiment of what writing has always been for me at its purest and most basic--not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying. (From the "Author's Note" at the end).

This is the world we live in, a world of safety and happiness and order, a world without love. A world where children crack their heads on stone fireplaces and nearly gnaw off their tongues and the parents are concerned. Not heartbroken, frantic, desperate. Concerned, as they are when you fail mathematics, as they are when they are late to pay their taxes.

People are like houses. They could open their doors. You could walk through their rooms and touch the objects hidden in their corners. But something--the structure, the wiring, the invisible mechanism that kept the whole thing standing--remai ned invisible, suggested only by the fact of its existing at all.

No guy in his right mind would ever choose me when there are people like Hana in the world: It would be like settling for a stale cookie when what you really want is a big bowl of ice cream, whipped cream and cherries and chocolate sprinkles included.

Time jumps. It leaps. It pours away like water through fingers.

It's Connecticut: being like the people around you is the whole point.

"And I love you too." His fingers skate the edge of my jaw, dance briefly over my lips. "You should know that. You have to know that."

I need to live my life in the light of their deaths. I need to live.

Love. I love you. I’ll always love you, my love. You are the love of my life.

like I am Alice in the Wonderland and have gotten too big for the room.

And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar.

Things That Don't Matter When You've Lived the Same Day Six Times and Died on at Least Two of Them: Lunch meats and their relative coolness.

Are you sure that being like everybody else will make you happy?" "I don't know any other way." "Let me show you." And then we're kissing. Or at least, I think we're kissing—I've only seen it done a couple of times, quick closed-mouth pecks at weddings or on formal occasions. But this isn't like anything I've ever seen, or imagined, or even dreamed: this is like music or dancing but better than both.