Laurence Sterne Quotes - Page 6

Upon the present theological computation, ten souls must be lost for one that is saved. At which rate of reckoning, heaven can raise but its cohorts while hell commands its legions. From which sad account it would appear, that, though our Saviour had conquered death by the resurrection, he had not yet been able to overcome sin by the redemption.

The proper education of poor children [is] the ground-work of almost every other kind of charity.... Without this foundation firstlaid, how much kindnessis unavoidably cast away?

I have undertaken, you see, to write not only my life, but my opinions also; hoping and expecting that your knowledge of my character, and of what kind of a mortal I am, by the one, would give you a better relish for the other: As you proceed further with me, the slight acquaintance which is now beginning betwixt us, will grow into familiarity; and that, unless one of us is in fault, will terminate in friendship.

Is it not an amazing thing, that men shall attempt to investigate the mystery of the redemption, when, at the same time that it is propounded to us as an article of faith solely, we are told that "the very angels have desired to pry into it in vain"?

In part of Lord Kames' Elements of Criticism, he says that "music improves the relish of a banquet." That I deny,--any more than painting might do. They may both be additional pleasures, as well as conversation is, but are perfectly distinct notices; and cannot, with the least propriety, be said to mix or blend with the repast, as none of them serve to raise the flavor of the wine, the sauce, the meat, or help to quicken appetite. But music and painting both add a spirit to devotion, and elevate the ardor.

Probably Providence has implanted peevishness and ill-temper in sick and old persons, in compassion to the friends or relations who are to survive; as it must naturally lessen the concern they might otherwise feel for their loss.

I was acquainted once with a gallant soldier who assured me that his only measure of courage was this: upon the first fire, in an engagement, he immediately looked upon himself as a dead man. He then bravely fought out the remainder of the day, perfectly regardless of all manner of danger, as becomes a dead man to be. So that all the life or limbs he carried back again to his tent he reckoned as clear gains, or, as he himself expressed it, so much out of the fire.

The accusing spirit, which flew up to heaven's chancery with the oath, blushed as he gave it in; and the recording angel as he wrote it down dropped a tear upon the word and blotted it out forever.

How frequently is the honesty and integrity of a man disposed of by a smile or shrug! How many good and generous actions have been sunk into oblivion by a distrustful look, or stamped With the imputation of proceeding from bad motives, by a mysterious and seasonable whisper!

There are some tempers--how shall I describe them--formed either of such impenetrable matter, or wrought up by habitual selfishness to such an utter insensibility of what becomes of the fortunes of their fellow-creatures, as if they were not partakers of the same nature, or had no lot or connection at all with the species.

Human nature is the same in all professions.

Is this a fit time, said my father to himself, to talk of Pensions and Grenadiers?

A large volume of adventures may be grasped within this little span of life, by him who interests his heart in everything.

We may imitate the Deity in all His attributes; but mercy is the only one in which we can pretend to equal Him. We cannot, indeed, give like God; but surely we may forgive like Him.

An interesting difference between new and experienced stage managers is that the new stage manager thinks of running the show as the most difficult and most demanding part of the job, whereas the experienced stage manager thinks of it as the most relaxing part. Perhaps the reason is that experienced stage managers have built up work habits that make then so thoroughly prepared for the production phase that they [can] sit back during performances to watch that preparation pay off.

The insolence of base minds in success is boundless; and would scarce admit of a comparison, did not they themselves furnish us with one in the degrees of their abjection when evil returns upon them.

Great is the power of Eloquence; but never is it so great as when it pleads along with nature, and the culprit is a child strayed from his duty, and returned to it again with tears.

To write a book is for all the world like humming a song—be but in tune with yourself, madam, 'tis no matter how high or how low you take it.

If death, said my father, reasoning with himself, is nothing but the separation of the soul from the body;--and if it is true that people can walk about and do their business without brains,--then certes the soul does not inhabit there.

Disguise thyself as thou wilt, still, Slavery," said I, "still thou art a bitter draught.

Hail! the small courtesies of life, for smooth do ye make the road of it, like grace and beauty, which beget inclinations to love at first sight; it is ye who open the door and let the stranger in.

When a poor disconsolated drooping creature is terrified from all enjoyment,--prays without ceasing 'till his imagination is heated,--fasts and mortifies and mopes, till his body is in as bad a plight as his mind; is it a wonder, that the mechanical disturbancesof an empty belly, interpreted by an empty head, should be mistook for [the] workings [of God].

You can't make theater happen without actors. The actor is the central ingredient in making theater happen. Audiences may come to theaters to see the work of stage managers, directors and producers, but the only people who can communicate theater magic to audiences, through ideas and emotions, are the actors. They are the only ones who can communicate this by themselves, and if necessary, they can get along without you. But you can't make theater without the actor.

The director is responsible for interpreting the playwright's work through the cast with the help of the staff. It is the director's artistic concept of the play that the cast, staff, and crew work to obtain.

Sweet pliability of man's spirit, that can at once surrender itself to illusions, which cheat expectation and sorrow of their weary moments! - long - long since had ye numbered out my days, had I not trod so great a part of them upon this enchanted ground. When my way is too rough for my feet, or too steep for my strength, I get off it, to some smooth velvet path which fancy has scattered over with rose-buds of delights; and have taken a few turns on it, come back strengthened and refreshed.