Lawrence Durrell Quotes - Page 3

Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.180, Faber & Faber
Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.361, Faber & Faber
A woman's best love letters are always written to the man she is betraying.
Lawrence Durrell (1991). “Clea”, Penguin Group USA
Shyness has laws you can only give yourself; tragically to those who least understand.
Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.87, Faber & Faber
Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.344, Faber & Faber
"The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea".
Guilt always hurries towards its complement, punishment: only there does its satisfaction lie.
Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.110, Faber & Faber
Lawrence Durrell (1952). “Key to modern poetry”
The Observer Interview, 1990.
Truth is a matter of direct apprehension-you can't climb a ladder of mental concepts to it.
Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.285, Faber & Faber
Life, the raw material, is only lived in potentia until the artist deploys it in his work.
Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.58, Faber & Faber
I'm trying to die correctly, but it's very difficult, you know.
The Sunday Times Interview, 1988.
Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.411, Faber & Faber
To write a poem is like trying to catch a lizard without its tail falling off.
Lawrence Durrell, Earl G. Ingersoll (1998). “Lawrence Durrell: Conversations”, p.29, Fairleigh Dickinson Univ Press
The Observer Interview, 1990.
Lawrence Durrell (2015). “The Avignon Quintet: Monsieur, Livia, Constance, Sebastian and Quinx”, p.199, Faber & Faber
The realisation of one's own death is the point at which one becomes adult.
Lawrence Durrell (2015). “The Avignon Quintet: Monsieur, Livia, Constance, Sebastian and Quinx”, p.32, Faber & Faber
Sorrow is implicit in love as gravitation is implicit in mass.
Lawrence Durrell (2015). “The Avignon Quintet: Monsieur, Livia, Constance, Sebastian and Quinx”, p.68, Faber & Faber