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Margaret Millar Quotes

The smell of moist earth and lilacs hung in the air like wisps of the past and hints of the future.

The smell of moist earth and lilacs hung in the air like wisps of the past and hints of the future.

Margaret Millar (1947). “Experiment in Springtime: A Novel”, New York : Random House

Some people become so expert at reading between the lines they don't read the lines.

Margaret Millar (2015). “An Air That Kills”, p.163, Soho Press

I wish people would quit telling me to think. I think. Thinking's easy. It's not thinking that's hard.

Margaret Millar (2002). “Best Mysteries of All Time: A Stranger in My Grave”, Impress

the smell of lilacs crept poignantly into the room like a remembered spring.

Margaret Millar (2015). “Vanish in an Instant”, p.33, Soho Press

Any good marriage involves a certain amount of play-acting.

Margaret Millar (2016). “A Stranger in My Grave”, p.30, Soho Press

Private problems don't constitute an excuse for bad manners.

Margaret Millar (2002). “Best Mysteries of All Time: A Stranger in My Grave”, Impress

Violence is the instinctive response to fear.

Margaret Millar (2015). “Vanish in an Instant”, p.71, Soho Press

When you're counting alibis and not apples, one plus one equals none.

Margaret Millar (1942). “The weak-eyed bat”, Published for The Crime club by Doubleday, Doran

Shrews are made, not born.

Margaret Millar (1952). “Rose's last summer”, New York

People, alas, are more impressed by statistics than they are by ideas.

Margaret Millar (2016). “A Stranger in My Grave”, p.116, Soho Press

I've reached the age where anyone who lets me talk seems like an old By listening to my memories, you have become part of them.

J.J. MARRIC; MARGARET MILLAR; BILL KNOX (1977). “GIDEON'S DRIVE; ASK FOR ME TOMORROW; HELLSPOUT”

The sun was shining like a congratulation.

Margaret Millar (2018). “Experiment in Springtime”, p.95, Soho Press

I didn't mind giving up carnality, jewelry and red meat in return for comradeship and an afterlife.

J.J. MARRIC; MARGARET MILLAR; BILL KNOX (1977). “GIDEON'S DRIVE; ASK FOR ME TOMORROW; HELLSPOUT”

You have what is known as a lot of character, meaning you can be wrong at the top of your lungs.

Margaret Millar (1945). “The Iron Gates: A Psychological Novel”, Random House [1945]