Writing for children is bloody difficult; books for children are as complex as their adult counterparts, and they should therefore be accorded the same respect.
Most of my work consisted of crossing out. Crossing out was the secret of all good writing.
Siobhan said that when you are writing a book you have to include some descriptions of things. I said that I could take photographs and put them in the book. But she said the idea of a book was to describe things using words so that people could read them and make a picture in their own head.
Stories about mental aberration and oddity only make sense in context. Just how do people live with someone who is peculiar, gifted, strange or alien? It's odd because there's a little part of me that wants to write about exotic, strange bizarre subjects. Instead, I've rather reluctantly realised that what I write about is families.
I don't remember deciding to become a writer. You decide to become a dentist or a postman. For me, writing is like being gay. You finally admit that this is who you are, you come out and hope that no one runs away.
The one thing you have to do if you write a book is put yourself in someone else's shoes. The reader's shoes. You've got to entertain them.
I think the U.K. is too small to write about from within it and still make it seem foreign and exotic and interesting.
If you enjoy math and you write novels, it's very rare that you'll get a chance to put your math into a novel. I leapt at the chance.
When I was writing for children, I was writing genre fiction. It was like making a good chair. However beautiful it looked, it needed four legs of the same length, it had to be the right height and it had to be comfortable.
Jane Austen writes about these humdrum lives with such empathy that they seem endlessly fascinating
Jane Austen was writing about boring people with desperately limited lives. We forget this because we've seen too many of her books on screen.
There's something with the physical size of America... American writers can write about America and it can still feel like a foreign country.
If one book's done this well, you want to write another one that does just as well. There's that horror of the second novel that doesn't match up.
Well, we're meant to be writing stories today.
I started writing books for children because I could illustrate them myself and because, in my innocence, I thought they'd be easier.
