The pride of the hipster food movement is sort of annoying, but it fascinates me.
If you're working with a band and you really want to work them into the episode, you've got to say to them, "Look, we need you around every day and on Tuesday night all night because we need you to do voices as we're changing stuff." We do the show so quickly, and you just can't get bands to do that. It's not really fair.
When you reach that deeper level, you can't go back.
I love to musicalize things. You do employ a whole level of gravity. You use the emotional heft of music.
We've been around long enough and have been to enough award shows to know that it is easy to lose to Phil Collins at any time.
I would vote for a Mormon.
I'm a producer... I am a Hollywood producer. That is so weird. And it's not lame. But it's just like, how did that happen?
It is like football with coaches, like, 'We're only going to think about the next game.' It is really true, all you think is, 'Okay, we have to make a good next episode.'
I've been to China and Russia, and I don't know anything about Chinese or Soviet relations.
In our show, there's usually a comeuppance. Or, if not, it's an anti-ending. And you're supposed to get that.
I went to a couple Academy Awards parties and I was definitely like, 'Whoa, no one will talk to me.'
I just get my news from the Internet.
I would never want the show to be a Democrat show or Republican show, because for us the show's more important than that. It isn't for everybody else in the world, but it is for us.
So a lot of our shows where even we think we've taken a very deliberate stand, liberals say, 'That's awesome, you took on the conservatives' same show and conservatives say 'That's awesome, you took on liberals.'