My mother always told me growing up I had a punchable face. Little did I know she was predicting my television career.
I think people respond to villains because people in general are more villainous than heroic.
In your actor's heart, you know when you're playing well. Others may not always agree with you, but I'm always aware of when the scene is cooking or not. You have an instinct about that from years of doing scenes and plays, and I think it stands you in good stead even in the TV world.
There are three things, and it depends on the group that we're talking about, but there's history, there's culture, and then there's social networks. So, you know, historically black and white, they worship together until about the end of slavery, and people started moving out into separate churches. But it was because of discrimination and racism and such that blacks began to establish their own denominations and their own churches.
Maybe there's even anger. But if they make it through that they come to a new agreement, and they start creating a new culture, and it becomes something that people just - a lot of times they'll say, "I couldn't live without it. I just have to be there."
To a large extent, people's interest in the character is the mystery of the character.
Now they had to sit in separate places and sometimes they'd even have to sit outside and look through the windows. But they did worship together.
One of the things we find when we talk to people that attend these congregations, they all have social cost to it. People want to know why they're doing that. Sometimes they're questions about selling out on their race or "Are we not good enough that you have to go to this kind of congregation and not ours?" So there are costs to it, and I think they're a little bit higher in the South because of its history.
So these are the kind of things that now when people are trying to move towards multiracial congregations that they're stressing. They're talking about these scriptures that say we ought to come together, and that at Pentecost, when that the Holy Spirit is said to have come upon the first Christians, they were given the ability to speak in different languages, and so that no matter who the people were, they could all worship together.
I really do think that every time you play a role well, you are in danger of being identified with that role until the next big thing comes along.
And again, this connection that you get: I meet Joe at church. Joe's connected to a whole network of people I don't know. Joe likes me. He invites me over to his son's birthday party, and I meet his whole family. I meet his friends. I get to know his neighborhood. That happens all the time.
Every pastor I talk to says, and particularly if they're African American they'll say, "I'm not black enough for African Americans. I'm not white enough for the whites. I'm not Hispanic enough."
We've done a lot of studies to see when they do happen, why, and I mean there's a variety of reasons. But one, it starts with a commitment where they decide this is going to be who we are. Maybe it's out of their faith, a new way of looking at their faith, that we must be integrated across race.
They could never go back to being a uniracial congregation again. It brings excitement. It brings life. It allows them to be able to know people they would never know, to meet people that are outside the congregation they would have never connected with, you know, through the networks that they developed in the congregation.
We go where our family goes. We go where our friends are, and because our social networks are so segregated by race, we end up with what we have. We also find that, you know, if you're immigrants, you're not part of that history.
What sort of difficulties would happen when people of different cultures try to come together to worship? Tiny little things such as let's tell jokes with each other.
In part because they had no choice, right? If you were a slave, you did what the master said. And they said to worship: "You're going to worship with us."
Downsides, yeah, and when there are more downsides when churches first start - they go through stages of transforming to becoming multiracial. So in the beginning stages there's often a lot of pain, a lot of confusion, a lot of people leave.
I have to conclude, oh, the best people are all somebody other than my own race. So that's difficult. How do we interpret the Bible? Should we stress things like justice and that God is somebody who cares about equality of all people? Or is he a God of love and a God who's there to give me an afterlife?
There's a lot of terminology, like "washes whiter than snow," and these things which when they're said in a uniracial congregation, they just go fine. But when they're said in a mixed congregation, some people will get offended and wonder, "Why are you saying that? What are you saying?"
I think of myself as a problem-solver. I want to go in and help the director and the writer to get the best they can out of the text they're working with.
One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.
I may have to shop with them. But on Sunday I don't want to have to worship with them. I want to be able to just be myself and let my hair down." It's also, of course, as we know, the seat of political organization and the affirming of your blackness and so on.
It may be changing, but still it's the one place, that total control of an institution, that African Americans have. So sometimes, you know, you'll hear the statement of African Americans saying, "I have to work with whites.
Life will be simpler when I don't spend two-thirds of the year in the middle of the Pacific.
