Only a genius can play a fool.
Being a good rapper is hard to do. I'm a good Rapaport, but that's about it.
A beautiful girl can make you dizzy, like you've been drinking Jack and Coke all morning. She can make you feel high full of the single greatest commodity known to man - promise. Promise of a better day. Promise of a greater hope. Promise of a new tomorrow. This particular aura can be found in the gait of a beautiful girl. In her smile, in her soul, the way she makes every rotten little thing about life seem like it's going to be okay.
The thing about New York is you can leave your house without a plan and find the day. You can't do that in Los Angeles. You need to get in your car, all this, you can't just drive around like a lunatic. In New York, you can literally walk outside, and wind up anywhere.
I had a boom box, but I didn't go too far with it because I had a really, really big one. It was like the size of a suitcase, and I was just a little kid.
When you're playing this bad of a character, it's obviously not reality for someone who's not living that life.
My freestyling ability is nonexistent. I can't even write a verse if I tried to sit anywhere and write one. Being a good rapper is hard to do. I'm a good Rapaport, but that's about it.
I see these other actors come up with this tough-guy personas and now when they're on talk shows they're all... But that's not really the way they are. I probably could have used a little bit of that. At one point I was labeled "The King Of Dumb White Guys." I was offended by that when I was younger, but I understand what that's from, so I was like, "Only a genius can play a fool." But I'm very aware of that, and I'll play into it and use it however I need to use it.
I'm not going to try and change how people perceive me. I think it's important to be a contradiction. People are contradictions; everyone has contradictions. So I don't expect anyone to look at me differently.
Call it stubborn, call it ignorant, call it what you want, but I don't think I have to join a particular faith or culture or creed or religion just to fit in.
Positive doesn't mean unflawed: It means human and vulnerable. If you make a film and you're portraying the subject with respect, you're gonna do it in an honest way.
I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.
My favorite part is just being able to say and do things that you can't do in real life, and behaving in a way that's just not really acceptable, in the real world.
At the end of the day, my sole goal, when I go into any scene, is to try to be as honest as I possibly can, and then everything else is second. The most important thing for me is to just be as honest as I possibly can.
A Tribe Called Quest music was so inclusive, so conscious, it brought such a community together.
I don't want to misrepresent who I am personally. I don't want my kids to see me on a talk show and say, "You're talking different" or "You look different, dad." I'm not gonna be an animal; I know how to conduct myself.
Sometimes you know about a job four months in advance. Sometimes you know about a job four days in advance. It's all different, and my thing is just to try to stay prepared. It's like being a boxer. You never know when you're going to get your next fight, so you have to just stay in shape, mentally and physically and creatively.
I don't think the subject of a documentary film should be producers on it.
I love my kids, and the moments I have with them, and it's kind of weird, it's such an age old cliche, but the way that my sons, the way they make me feel when I look at them, the way they say things, no one else would probably react to them, but it's a special thing for me.
Right now I'm taking a break from hip-hop documentaries. But I would do it if things lined up.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
Were there certain things that I didn't feel were dignified enough to make it into the movie? Yeah.
I'm a New York person. I've never gone out of the way to speak to the press to change my persona - I probably should have. It's too late now. But when I first started I was like, "I'm gonna stay this way. I'm gonna be this way," and I continued to. I probably should have sugarcoated it like, "This is not really the way I am - I'm an actor."
I love doing things that are titillating. I think race can be very funny, and I think I'm very comfortable discussing it and bringing it up.
Being No. 1. It's talked about all of the time in hip-hop. 'I'm still No. 1! I'm the best! I'm the greatest of all time!' It's the same mentality in sports.
