I'm often asked the same question: What in your work comes from your own culture? As if I have a recipe and I can actually isolate the Arab ingredient, the woman ingredient, the Palestinian ingredient. People often expect tidy definitions of otherness, as if identity is something fixed and easily definable.
I like keeping my work so open that it can be interpreted on different levels. Art can't be compared with journalism; it can't discuss concrete issues.
Art can't be compared with journalism; it can't deal with concrete issues.