Murray Kempton Quotes
Murray Kempton (1972). “America comes of middle age: columns, 1950-1962”
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.92, New York Review of Books
Murray Kempton (1994). “Rebellions, perversities, and main events”, Crown
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.14, New York Review of Books
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.169, New York Review of Books
It is not the least of a martyr's scourges to be canonized by the persons who burned him.
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.46, New York Review of Books
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.283, New York Review of Books
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.246, New York Review of Books
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.318, New York Review of Books
Murray Kempton (1972). “America comes of middle age: columns, 1950-1962”
The beauty of a strong, lasting commitment is often best understood by a man incapable of it.
"Part of Our Time: Some Ruins and Monuments of the Thirties".
The faces in New York remind me of people who played a game and lost.
Murray Kempton (1972). “America comes of middle age: columns, 1950-1962”
To be a gentleman is to be oneself, all of a seam, on camera and off.
Murray Kempton (1972). “America comes of middle age: columns, 1950-1962”
Murray Kempton (1972). “America comes of middle age: columns, 1950-1962”
A neighborhood is where, when you go out of it, you get beat up.
Murray Kempton (1972). “America comes of middle age: columns, 1950-1962”
The Communists offer one precious, fatal boon: they take away the sense of sin.
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.33, New York Review of Books
Murray Kempton (2012). “Part of Our Time: Some Ruins and Monuments of the Thirties”, p.16, New York Review of Books