Authors:

Nadine Gordimer Quotes - Page 2

A child understands fear, and the hurt and hate it brings.

Nadine Gordimer (2012). “Jump and Other Stories”, p.66, A&C Black

Disaster is private, in its way, as love is.

Nadine Gordimer (2012). “Get a Life”, p.42, A&C Black

The creative act is not pure. History evidences it. Ideology demands it. Society exacts it.

Nadine Gordimer (2012). “Telling Times: Writing and Living, 1950-2008”, p.409, A&C Black

Censorship may have to do with literature; but literature has nothing whatever to do with censorship.

Nadine Gordimer (2012). “Telling Times: Writing and Living, 1950-2008”, p.357, A&C Black

Mostly I'm interviewed by white people, and identified with white society.

"The conscience of South Africa talks about her country's new racial order". Interview with Dwight Garner in Salon, 1998.

Nothing factual that I write or say will be as truthful as my fiction.

Nadine Gordimer (2012). “Living in Hope and History”, p.199, A&C Black

Music has no limits of a life-span.

Nadine Gordimer (2007). “Beethoven Was One-Sixteenth Black: And Other Stories”, p.158, Farrar, Straus and Giroux

You can't change a regime on the basis of compassion. There's got to be something harder.

"'A feeling of realistic optimism': An interview with Nadine Gordimer". Salmagundi, 113, 1997.

Writing is making sense of life. You work your whole life and perhaps you've made sense of one small area.

Nadine Gordimer, Nancy Topping Bazin, Marilyn Dallman Seymour (1990). “Conversations with Nadine Gordimer”, p.139, Univ. Press of Mississippi

In a certain sense a writer is 'selected' by his subject - his subject being the consciousness of his own era.

Nadine Gordimer, Nancy Topping Bazin, Marilyn Dallman Seymour (1990). “Conversations with Nadine Gordimer”, p.217, Univ. Press of Mississippi

The solitude of writing is also quite frightening. It's quite close to madness, one just disappears for a day and loses touch.

Nadine Gordimer, Nancy Topping Bazin, Marilyn Dallman Seymour (1990). “Conversations with Nadine Gordimer”, p.156, Univ. Press of Mississippi

Literature is one of the few areas left where black and white feel some identity of purpose; we all struggle under censorship.

Nadine Gordimer, Nancy Topping Bazin, Marilyn Dallman Seymour (1990). “Conversations with Nadine Gordimer”, p.141, Univ. Press of Mississippi

Power is something of which I am convinced there is no innocence this side of the womb.

Nadine Gordimer (1956). “Six Feet of the Country: Fifteen Short Stories”