Nat Hentoff Quotes - Page 6

[Margot Hentoff] was an editor there for a time as well as a writer.

Great pressure was put on the editor, David Schneiderman, to not run the strip [of Jules Feiffer]. It was offensive. It was racist. And nobody apparently read the strip and saw what it was about. And I wrote a column about that.

William Shawn was the editor of The New Yorker and for whom I worked for, God, 27 years; a man I respected enormously because of what he did, - what the magazine was about.

I once did a - the first piece on Malcolm X that anyone had ever seen in the - white press.

My favorite story about O'Connor - one of them - is I was in Toronto at a pro-life conference.I had a session before he was to come on,I thought very moderately - that not have unwanted abortions was to have much more research on contraception. Two true-faith people came out of the audience, wrested the microphone out of my hand and said, `That is im - inappropriate, improper. Pro-lifers do not believe in contraception.' [John] O'Connor's watching this said,`I want to tell you I'm delighted that Nat is not a member of the Catholic Church. We have enough trouble as it is.'

[Cardinal John O'Connor] had [my wife] Margot and me over for drinks a couple of times. That was something I never could have envisioned back when I was a kid in Boston, that a cardinal and I would be, if not breaking bread, at least breaking Scotch.

My father had always been a traveling salesman - New England, the South, whatever.

My mother, when she was younger, worked at Filene's in Boston. And she was chief cashier. And I always wondered why she never went back to some kind of work 'cause that was a very responsible position.

I've I call [Cardinal John O'Connor] from time to time and he calls me. And when I think there's something he ought to think about doing, I call him and he usually does it.

Counting the ones I've co-edited, I guess about 28 or 29 [books I've written].

I wish [my wife] would [work] because - especially now the kind of - I mean, honesty is hardly the word. She writes with a ferocity of clarity that - nobody else around has now.

[My wife] has some investments and stuff.

I've never met anybody quite like [Bill Shawn]. He created - and I'm sure it was conscious - an aura about him of quietude.

The most recent example and the most, I think, appalling example was when Martin Peretz, the owner - and I stress owner - of The New Republic fired a journalist who I think was uncommonly skilled and full of integrity and passion and all that stuff. But he had criticized regularly the former pupil and friend of Martin Peretz, Al Gore, so he was fired. That's contrarianist that went around - that did - that was not rewarded.

I'd pick - my father would bring home about six newspapers. We had 10 in Boston at the time.

It was a competitive examination [in Boston Latin School]. Poor kids, Brahmans, middle-class kids. The masters, as the teachers were called, didn't give a damn about - how we felt, what was - things like at home. I mean, this goes against the current grain. All they thought about was: `You're here. You made the exam. You can do the work. And if you can't, we'll throw you out.'

At the time there was a hospital strike in New York and the Catholic hospitals were part of a general consortium, and the head of the consortium had decided that they were finally going to replace some of the striking workers. And I hear [John] O'Connor yelling, `Over my dead body will you replace any of those workers! They have a right to strike.' So I figured, `This is interesting.'

I like [John Cardinal O'Connor] a lot. He - I started a - to know him - when I asked William Shawn at The New Yorker, `Sh - can I do a profile of Cardinal O'Connor?' He said, `All right. Find out what he's like.' So I went to his office, and I heard somebody - and it turned out to be O'Connor - yelling outside, and I've never heard him since raise his voice.

[William Shawn] took over The Voice and tried to turn it into New York Magazine - very glitzy covers that promised practically nothing in terms of what was inside, very rushed paper anymore. You - not very contemplative, thoughtful or whatever.

Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.

My chronology is terrible. [Work with William Shawn] must have some ago. It was after he was fired by Newhouse. After New - when Newhouse bought The New Yorker, he said in one of those grand press

I felt better about myself that I did it [calling Max Askeli Commander Askeli], rather than have - rather than thinking it and not writing it for being afraid of what might happen to me.

Here is a guy who's supposed to be the Genghis Khan of the church, the pro-choice people hate him, and I don't know about his labor background so I figured there must be more to him, and there is. I wrote a book about [John Cardinal O'Connor].

It's perfectly within [Martin Peretz] rights [to fire a journalist]. It's a private - you know, th - it's not censorship. The First Amendment doesn't come into play because it's a private magazine.

What's wrong with it is, it lowers, to say the least, the credibility of the magazine. And if I were writing for [The New Republic ], I would feel diminished because the owner had done such a thing [fire a journalist].