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Oscar Wilde Quotes about Passion - Page 2

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Life is not governed by will or intention. Life is a question of nerves, and fibres, and slowly built-up cells in which thought hides itself and passion has its dreams.

Life is not governed by will or intention. Life is a question of nerves, and fibres, and slowly built-up cells in which thought hides itself and passion has its dreams.

Life, Dream, Passion

Oscar Wilde, Russell Jackson, Joseph Bristow, Ian Small (2000). “The Complete Works of Oscar Wilde: The picture of Dorian Gray : the 1890 and 1891 texts”, p.158, Oxford University Press on Demand

Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible.

Life, Art, Passion

Oscar Wilde, Moira Muldoon (2005). “The Picture of Dorian Gray and Other Writings”, p.211, Simon and Schuster

Great passions are for the great of soul, and great events can be seen only by those who are on a level with them

Passion, Soul, Events

Oscar Wilde, Russell Jackson, Ian Small (2000). “The Complete Works of Oscar Wilde: De profundis, "Epistola : in carcere et vinculis"”, p.190, Oxford University Press on Demand

Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.

Art, Memories, Passion

Oscar Wilde, General Press (2016). “The Complete Works of Oscar Wilde: Novel, Short Stories, Poetry, Essays and Plays”, p.731, GENERAL PRESS

She was a curious woman, whose dresses always looked as if they had been designed in a rage and put on in a tempest. She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy.

Love, Passion, Age

Oscar Wilde (2005). “Picture of Dorian Gray”, p.46, Prestwick House Inc

There is no such thing as a good influence. Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtures are not real to him. His sins, if there are such thing as sins, are borrowed. He becomes an echo of someone else's music, an actor of a part that has not been written for him.

Real, Passion, Thinking

Oscar Wilde (2013). “The Essential Oscar Wilde”, p.85, Simon and Schuster

There was something terribly enthralling in the exercise of influence. No other activity was like it. To project one's soul into some gracious form, and let it tarry there for a moment; to hear one's own intellectual views echoed back to one with all the added music of passion and youth; to convey one's temperament into another as though it were a subtle fluid or a strange perfume: there was a real joy in that - perhaps the most satisfying joy left to us in an age so limited and vulgar as our own, an age grossly carnal in its pleasures, and grossly common in its aims.

Real, Passion, Exercise

Oscar Wilde, General Press (2016). “The Complete Works of Oscar Wilde: Novel, Short Stories, Poetry, Essays and Plays”, p.36, GENERAL PRESS

Shakespeare might have met Rosencrantz and Guildenstern in the white streets of London, or seen the serving-men of rival houses bite their thumbs at each other in the open square; but Hamlet came out of his soul, and Romeo out of his passion.

Passion, Men, White

Oscar Wilde (2013). “Delphi Complete Works of Oscar Wilde (Illustrated)”, p.1491, Delphi Classics

He had uttered a mad wish that he himself might remain untarnished, and the face on the canvas bear the burden of his passions and his sins; that the painted image might be seared with the lines of suffering and thought, and that he might keep all the delicate bloom and loveliness of his then just conscious boyhood.

Love, Passion, Mad

Oscar Wilde (2016). “The Picture of Dorian Gray”, p.80, Xist Publishing

The great events of life often leave one unmoved; they pass out of consciousness, and, when thinks of them, become unreal. Even the scarlet flowers of passion seem to grow in the same meadow as the poppies of oblivion. We reject the burden of their memory, and have anodynes against them. But the little things, the things of no moment, remain with us. In some tiny ivory cell the brain stores the most delicate, and the most fleeting impressions.

Memories, Flower, Passion

It is in the brain, and the brain only, that the great sins of the world take place also. You, Mr. Gray, you yourself, with yourrose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame.

Dream, Memories, Passion

With subtle and finely-wrought temperaments it is always so. Their strong passions must either bruise or bend. They either slay the man, or themselves die. Shallow sorrows and shallow loves live on. The loves and the sorrows that are great are destroyed by their own plenitude.

Strong, Passion, Men

Oscar Wilde (2015). “The Picture of Dorian Gray (Diversion Classics)”, p.219, Diversion Books

It was the passions about whose origin we deceived ourselves that tyrannized most strongly over us.

Passion, Deceived

Oscar Wilde, General Press (2016). “The Complete Works of Oscar Wilde: Novel, Short Stories, Poetry, Essays and Plays”, p.51, GENERAL PRESS

Man is a being with myriad lives and myriad sensations, a complex, multiform creature that bears within itself strange legacies of thought and passion, and whose very flesh is tainted with the monstrous maladies of the dead.

Passion, Men, Legacy

Oscar Wilde (2014). “Miscellaneous Aphorisms: The Soul of Man”, p.4, Simon and Schuster

There were sins whose fascination was more in the memory than in the doing of them, strange triumphs that gratified the pride more than the passions, and gave to the intellect a quickened sense of joy, greater than any joy they brought, or could ever bring, to the senses.

Memories, Passion, Pride

Oscar Wilde (2010). “The Picture of Dorian Gray”, p.169, Bibliolis Books

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