I try to find a way to make it comfortable or interesting or funny to me.
Australian cattle dogs, are not like Labradors, where they just like to just sit around by the fire and get petted. They're working dogs, so they have a lot of energy, and they can drive you crazy.
I respectfully ask that the media allow me to receive care and heal in private during this difficult time.
What's funny is that there's a lot of great Australian actors in American movies but you don't often hear them do their Australian, original accent.
In Rome, I loved seeing the Caravaggios. There are churches in Rome that have Caravaggios, and there's one, not far from Piazza Navona, that has the best, I think: St. Matthew with the money.
Acting is more fun than writing. Writing is harder, more like having a term paper.
I saw Ben Stiller's movie Walter Mitty [2013]; it's very beautiful. You look at some of the movies John Ford did with John Wayne and Jimmy Stewart, and then look at Remington and Ansel Adams, and I think you see a connection, certainly in the imagery of the West.
Film is definitely a director's medium. They're responsible for the look and everything, and you're a part of that process as an actor, and you try to contribute to the story. But I think it might sound a little pretentious for me to say I think of myself as an artist. I think of myself as a creative person.
I was in Rome this time for about three or four months, and I feel like, by the time I left, every single person in Rome had seen me at least 10 times riding my bicycle. When I first got there, it seemed like people were happy to see me and would say hello. And by the end, they were kind of bored of seeing me. And it was like, "Ugh, there he goes again".
Movies I liked growing up were like Francis Ford Coppolla movies and Scorsese movies.
There's what is on screen and then for us, it's if you get along with the people and enjoy showing up at work.
I haven't seen a lot of screwball comedies, and I don't think of myself as loving the genre. To me it sounds like, okay, you're going to be in a lot of crazy situations that are unbelievable.
Because it's me playing the character, trying to find a way to make it believable and entertaining and interesting.
James L.Brooks is just a very original person. So that was definitely the luckiest, most important thing that happened to me [meeting him]. Then I guess also meeting Ben Stiller. He cast me in the only thing I think I ever auditioned for and got: Cable Guy [1996]. And that led to us becoming friends.
Hansel is certainly about comfort, while still sort of having a peacock principle of wanting to attract attention.
I became sort of an aficionado on the Valentino pajamas, because I like those so much.
We didn't know what the reception was going to be when we walked out on the runway, but it felt like we were in a rock band. People started cheering. It was a nice way to begin Zoolander 2, with that kind of reception.
I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.
If a movie goes south, it might not capsize me the way it used to. But I still have a terrible fear of failure. I'm a huge worrier.
Anna Wintour has a reputation - she can be very intimidating - but that day [Valentino show] she was just smiling and laughing. That was my first time meeting her, and she seemed like she was having a great time. Everybody was enjoying themselves.
It isn't so much that I choose the roles - I mean, I guess there's a little bit of a selection process - but it's more just what people offer you.
Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie.
I think for Wes [Anderson] and me, the most important thing was James L. Brooks producing our first movie and giving us a chance to come to Hollywood, because without him, we might never have gotten the chance.
Through my friend Tony Shafrazi, who's an art dealer and an artist himself - he helped to show Basquiat and Keith Haring, and has worked with the Francis Bacon estate - it was really through my friendship with Tony that I developed even more of an interest in art.
After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.
