Paul Robeson Quotes

The answer to injustice is not to silence the critic but to end the injustice.

Every artist, every scientist, every writer must decide now where he stands. The artist must take sides. He must elect to fight for freedom or for slavery. I have made my choice. I had no alternative.

Artists are the gate keepers of truth. We are civilization’s radical voice.

I shall take my voice wherever there are those who want to hear the melody of freedom or the words that might inspire hope and courage in the face of fear. My weapons are peaceful, for it is only by peace that peace can be attained. The song of freedom must prevail.

My father was a slave and my people died to build this country and I am going to stay here and have a part of it just like you.

Art is not just to show life as it is, but to show life as it should be.

To be free . . . to walk the good American earth as equal citizens, to live without fear, to enjoy the fruits of our toil, to give our children every opportunity in life--that dream which we have held so long in our hearts is today the destiny that we hold in our hands.

The faces and the tactics of the leaders may change every four years, or two, or one, but the people go on forever.

I do not hesitate one second to state clearly and unmistakably: I belong to the American resistance movement which fights against American imperialism, just as the resistance movement fought against Hitler.

We [must] realize that our future lies chiefly in our own hands.

As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this.

In Russia I felt for the first time like a full human being. No color prejudice like in Mississippi, no color prejudice like in Washington. It was the first time I felt like a human being.

Through my singing and acting and speaking, I want to make freedom ring. Maybe I can touch people's hearts better than I can their minds, with the common struggle of the common man.

We ask for nothing that is not ours by right, and herein lies the great moral power of our demand.

My future depends mostly upon myself.

We must join with the tens of millions all over the world who see in peace our most sacred responsibility.

The intolerance of the few, or the risk of it, carries the day against the wider humanity of the many.

Artists are the gatekeepers of truth.

The man who accepts Western values absolutely, finds his creative faculties becoming so warped and stunted that he is almost completely dependent on external satisfactions, and the moment he becomes frustrated in his search for these, he begins to develop neurotic symptoms, to feel that life is not worth living, and, in chronic cases, to take his own life.

The talents of an artist, small or great, are God-given. They've nothing to do with the private person; they're nothing to be proud of. They're just a sacred trust... Having been given, I must give. Man shall not live by bread alone, and what the farmer does I must do. I must feed the people - with my songs.

I've learned that my people are not the only ones oppressed... I have sung my songs all over the world and everywhere found that some common bond makes the people of all lands take to Negro songs as their own.

Every artist, every scientist, must decide now where he stands. He has no alternative. There is no standing above the conflict on Olympian heights. There are no impartial observers. Through the destruction, in certain countries, of the greatest of man's literary heritage, through the propagation of false ideas of racial and national superiority, the artist, the scientist, the writer is challenged. The struggle invades the formerly cloistered halls of our universities and other seats of learning. The battlefront is everywhere. There is no sheltered rear.

In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers :;that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks ... Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.

The artist must elect to fight for Freedom or for Slavery.

Whether I am or am not a Communist is irrelevant. The question is whether American citizens, regardless of their political beliefs or sympathies, may enjoy their constitutional rights.