Philip Roth Quotes - Page 5

Nothing has a more sinister effect on art than the artist's desire to prove that he's good. The terrible temptation of idealism!

Many of the Kiwis appearing in powerful business circles around the world come from accounting backgrounds. Yet often people have preset ideas of how an accountant walks, talks, smells - although not in the business community. For me it is a career that offers a lot of variety and challenges and I love it.

At a certain stage of misery, you'll try anything to explain what's going on with you, even if you know it doesn't explain a thing and it's one failed explanation after another.

One either imposes one's ideas or one is imposed on.

The secret to living in the rush of the world with a minimum of pain is to get as many people as possible to string along with your delusions; the trick to living alone up here, away from all agitating entanglements, allurements, and expectations, apart especially from one's own intensity, is to organize the silence, to think of its mountaintop plenitude as capital, silence as wealth exponentially increasing. The encircling silence as your chosen source of advantage and your only intimate.

For someone whose roots in America were strong but only inches deep, and who had no experience, such as a Catholic child might, of an awesome hierarchy that was real and felt, baseball was a kind of secular church that reached into every class and region of the nation and bound millions upon millions of us together in common concerns, loyalties, rituals, enthusiasms, and antagonisms. Baseball made me understand what patriotism was about, at its best.

I think I write or publish as much as I do because I can bear being without a book to work on. But routinely when I finish a book, I think, "What will I do? Where will I get an idea?" And a kind of low-level panic sets in. And then eventually something happens. I don't know. If I knew how it happened I would repeat the process, but I don't know - something just occurs to me.

I work just as much as I always worked. And I can't explain the fact that there have been a series of books coming rather regularly out of me. I work most days and if you work most days and you get at least a page done a day, then at the end of the year you have 365. So the pages accumulate and then I publish the books.

You don't want to repeat yourself for one. You don't want to fall into the clichés for another. And you don't want to be licentious really. You want to be descriptive, if you can be. And you're not setting out to arouse anybody.

You go to someone and you think, 'I'll tell him this.' But why? The impulse is that the telling is going to relieve you. And that's why you feel awful later--you've relieved yourself, and if it truly is tragic and awful, it's not better, it's worse---the exhibitionism inherent to a confession has only made the misery worse.

The legend engraved on the face of the Jewish nickel- on the body of every Jewish child!- not IN GOD WE TRUST, but SOMEDAY YOU'LL BE A PARENT AND YOU'LL KNOW WHAT IT'S LIKE.

Any satirist writing a futuristic novel who had imagined a President Reagan during the Eisenhower years would have been accused of perpetrating a piece of crude, contemptible, adolescent, anti-American wickedness, when, in fact, he would have succeeded, as prophetic sentry, where Orwell failed.

I’m interested in what people do with the chaos in their lives and how they respond to it, and simultaneously what they do with what they feel like are limitations. If they push against these limitations, will they wind up in the realm of chaos, or will they push against limitations and wind up in the world of freedom?

A Jewish man with his parents alive is half the time a helpless infant!

When you publish a book, it's the world's book. The world edits it.

I think you're a wonder. You're beautiful. You're mature. You are, I admit, vastly more experienced than I am. That's what threw me. I was thrown. Forgive me.

Literature isn't a moral beauty contest. Its power arises from the authority and audacity with which the impersonation is pulled off; the belief it inspires is what counts.

Eventually the writing takes time. What I want to do is get the story down and I want to know what happens as I write my way into the knowledge of the story.

Literature got me into this mess and literature is going to have to get me out of it.

Fear presides over these memories, a perpetual fear.Of course no childhood is without its terrors, yet I wonder if I would have been a less frightened boy if Lindbergh hadn't been president or if I hadn't been the offspring of Jews.

It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.

He was no more, freed from being, entering into nowhere without even knowing it. Just as he'd feared from the start.

If you read a novel in more than two weeks, you don't read the novel really.

I haven't written a word of fiction since 2009. I have no desire to write fiction. I did what I did and it's done. There's more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date.

You take off your clothes and you're in bed with somebody, and that is indeed where whatever you've concealed, your particularity, whatever it may be, however encrypted, is going to be found out, and that's what all the shyness is all about and what everybody fears.