I wanted to be the greatest woman guitarist alive. I had fantasies about being a female Jimi Hendrix.
Sometimes when you're overwhelmed by a situation - when you're in the darkest of darkness - that's when your priorities are reordered.
I know there's a consciousness energy that operates completely independent of the physical body you inhabit, that maintains... awareness after the body's gone.
There's a fascinating school of thought that some women are relationship addicts. You get really strung out on a guy who's not returning your enthusiasm and tell yourself you're going to fix him and make him better, and of course it's impossible.
The most common misconception about me is that I'm basically a jazz singer.
My life was very tenuous last year. My daughter's death, in March in 2007, was unexpected. It was a shock. I didn't know if I'd survive it.
I lost interest in being in the public eye.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
Once I get out onstage, it's the same sort of basic production that it is anywhere else. But I might be a little bit aware that there might be people I know out there, who wondered where I was.
A friend hipped me to hypoglycemia, which an article I read calls 'a disease for a nation of sugar junkies.' Who knows how many people in this country have it?
The first album was a very successful record. It made me very visible and it's an immediate association, but I don't do that anymore. Now I'm true to myself as an artist again. I'm more vocally oriented.
There were times when I had maybe a couple of hundred dollars, and times I made myself think I was on top of the world.
The thing that helped me come to terms with performing was an anxiety, a desperation for acceptance. There was never enough positive motivation in my life.
If the baby is sick, you won't find me showing up to play my gigs. If I have a contract, there is going to be a clause in that contract saying that if the baby is sick I will not appear.
With my quick success, I didn't have time to learn the ropes of the music business. Because my first record was such a hit, I was terribly spoiled and I thought I couldn't do anything wrong. I was also desperate to make tons of money because of my responsibility to my daughter. And there was no longer any joy in making music.
