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Robert Bresson Quotes - Page 2

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Nothing more inelegant and ineffective than an art conceived in another art's form.

Nothing more inelegant and ineffective than an art conceived in another art's form.

Robert Bresson (2016). “Notes on the Cinematograph”, p.31, New York Review of Books

Provoke the unexpected. Expect it.

Robert Bresson (2016). “Notes on the Cinematograph”, p.46, New York Review of Books

Cinematography, a military art. Prepare a film like a battle.

Robert Bresson (2016). “Notes on the Cinematograph”, p.15, New York Review of Books

Let nothing be changed and all be different.

Robert Bresson (2016). “Notes on the Cinematograph”, p.62, New York Review of Books

The true is inimitable, the false untransformable.

Robert Bresson (2016). “Notes on the Cinematograph”, p.5, New York Review of Books

Laugh at a bad reputation. Fear a good one that you could not sustain.

Robert Bresson (2016). “Notes on the Cinematograph”, p.56, New York Review of Books

It is in its pure form that an art hits hard.

Robert Bresson (2016). “Notes on the Cinematograph”, p.41, New York Review of Books

Master Precision. Be a precision instrument myself.

Robert Bresson (2016). “Notes on the Cinematograph”, p.9, New York Review of Books

Hostility to art is also hostility to the new, to the unforeseen.

Robert Bresson (2016). “Notes on the Cinematograph”, p.61, New York Review of Books

Model. Two mobile eyes in a mobile head, itself on a mobile body.

Robert Bresson (2016). “Notes on the Cinematograph”, p.19, New York Review of Books

The faculty of using my resources well diminishes when their number grows.

Robert Bresson (2016). “Notes on the Cinematograph”, p.9, New York Review of Books

The crude real will not by itself yield truth.

Robert Bresson (2016). “Notes on the Cinematograph”, p.48, New York Review of Books

In the NUDE, all that is not beautiful is obscene.

Robert Bresson (2016). “Notes on the Cinematograph”, p.61, New York Review of Books