I think the main thing over time is that you gain confidence and are able to tell your story better and stronger.
My roots are very closely tied to the DNA of the brand. Growing up in Serbia where women are unapologetically very feminine, I came to London and realised that I wanted to keep this feminine element but give it a twist and challenge ideas of classical beauty.
Fashion, art, and architecture are all so tightly connected; I think the way to approach referencing these art works is by capturing the essence.
The definite link between all the women who wear my designs is that they are strong, independent, and with their own opinions.
I've always wanted my offering to have broad appeal and work for a diverse range of women with different lifestyles.
I do think there is a completely different notion to glamour today. I think modern glamour is more effortless, easy, and real. Moreover, I think it's about constantly challenging classical ideas by bringing in unexpected and different elements; for example a long, elegant evening skirt paired with a simple t-shirt on the red carpet. I think this approach is the future.
My label is largely about fabrics; print is definitely not my point of difference!
I am constantly looking to push boundaries with materials, bring in new weights, and work in fabrics unexpectedly.
I feel like I've gone through stages with the industry; when I first started showing it was during the time of the recession, the economical situation meant fashion was suffering. But now the fashion business is back and booming, and I think it just encourages me to constantly set myself bigger and bigger challenges and reach new goals.
I am not very good at reflecting. I am a complete perfectionist and always thinking to the next thing!
