Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.
Actors are easy to like. They are generally sociable, thoughtful people.
I like being around actors. Imagine not liking actors.
I can never really remember what I look like. I'm just sort of neutral. I don't think I'm sort of, you know, hideous.
Try and fit in in a New Zealand playground with an Armagh accent - it doesn't work.
I can tell you where I was when Kennedy was shot - which was in the common room at school. I heard about it on the old valve radio. At the time of Armstrong's landing, I was at university rehearsing a play.
If you want to learn about America, watch The Wire. Its a profound piece of entertainment.
Dexter' I'm very fond of. I got addicted to that.
You never really know who you're going to be acting with, but that doesn't really matter. 99% of the actors I've worked with, and they number in the thousands, I've liked.
Magic realism - somebody used that phrase the other day that is familiar with South American literature. That rang a bell. It resonates with me.
In the case of Wilderpeople, I walked on the first day with some apprehension actually; because it doesn't come anywhere close to anything I've really played before, this part.
I think it took us all by surprise. I mean, I knew that people in New Zealand would like [Hunt for the Wilderpeople], but no one really anticipated how much they would embrace it as it is. And it's playing widely in Australia now; they're running it as well. It's going to be interesting to see how it does it in the States, but I think if Sundance was any indication, I imagine it could do well.