We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things.
I'm very much for strengthening our industry at home. It's great now there's a lot of work happening but I think with Irish film in particular, the views were starting to get a little stereotypical and we were pigeonholing ourselves a little bit. We needed to get out of that.
When I can't get the character out of my head, and I'm in my bedroom and I start to actually act out the scenes that I've read in a script, I think okay, I really want to do this.
I would never want to move to L.A.
I grew up my whole life in Ireland and obviously sound very, very Irish. I feel like it's just one of those things that just charms the socks off of people.
I was born in New York, so I'd love to study at New York University.
I did find New Zealand similar to Ireland. The people, obviously. I found that, ironically, although these two countries were very far away from each other, their humor was so similar and their outlook on things was quite similar as well.
I wouldn't go down the route of having an assistant. I don't want to be like that. I want to be normal.