Sarah Paulson Quotes - Page 2

I think it's very important for people to not judge the people you're playing. You have to find a way to love them because their story is theirs. I just don't think there would be any use in that.

Your mind knows your pretending, but, in terms of the adrenaline and the fact that you are actually crying, and that you are that upset, and you are screaming, and you are simulating terror, your body does not know that it is not real. Your body feels really wrecked afterwards.

Playing Sally McKenna was a wonderful, freeing thing because we all in life have so many responsibilities to ourselves, to other people, that we rarely get to explore a very selfish side of ourselves in doing what we want, when we want, how we want, without answering to or being responsible for anyone else.

It's OK to sit in the Golden Globe room and look around and think, 'Oh, Helen Mirren's a loser tonight, so is Nicole Kidman. Meryl Streep lost tonight. Jessica Lange didn't win.' If you're gonna be in the company of losers, that's the company to be in.

I've never been on a show that's run for more than a season.

I'd love to be in the '70s. I'd love to have a big, long wig parted down the middle with flat-ironed hair and bell-bottoms. They're actually very flattering for my figure. The wider the leg, the better for a person with a booty.

The idea of being on a show where each season stands alone, and you can come back the next year and show an entirely different aspect of your personality or your talent or your anything is an enormous gift that you rarely get in television.

I usually feel like the role comes to you to sort of illuminate some piece of where you are in your life. I feel like I myself am a single woman and I'm childless - by choice - at this point, and I don't know what will happen.

I'm addicted to routine. I don't know if that's because I moved around so much as child - by the time I was 12 years old, I had lived in about 10 different places. But I like going to the theater at a certain time.

All my friends went to the Madonna concert when I was in, maybe, the 9th grade, and my mother refused to let me go.

All of my friends went to college and I got a job at Circle Pizza, where I worked for 24 hours. I had to call my mother four times to ask her how to spell Parmesan. I'm not kidding. I was a terrible speller. I think I was really nervous that I somehow didn't feel right out in the world in that way.

I could never have thought, "I wanna play a two-headed woman." That just never would have occurred to me, in a million years.

I don't have children, but my work life is as important to me as anything could be. I've dedicated a lot of time and energy and years to it. Some might say some of my childbearing years to it. In and of itself, my work is like a child to me. That is my reality.

I'm sporting some really blonde hair because I live in Hollywood and I'm an actress.

I like that feeling in your brain when you've got seven things that you're holding in one moment-you heard that person cough, you heard that person laugh, you're also saying your line, you're also listening to the person who's talking to you.

I work in the '60s more than I've done anything else. I did a movie, called Down with Love, in the '60s. I did a movie for HBO, about the Johnson administration in the '60s.

I'm one of those actors who's just standing there, waiting and ready for something to come my way. I don't really try to think about, "Oh, I feel the next thing I should do should be a feature. Now, I think I should do a play." I just hope someone wants to cast me in something.

I will do plays as long as they're interested in having me do them. It's the biggest opportunity to learn the most about how to act. Something I discover every time I'm doing one is how little I know about acting - how important the art of listening is, and how important it is to listen with your entire body. You can tell so much of a story with stillness, and a lot of that can be from really actively listening to your scene partner.

I've always really made my living in television. Television has always been so good to me.

When I have brown hair I feel the most like myself, but I don't feel glamorous. It's a disgusting thing to admit.

No, I'm not a Republican working in Hollywood, I am a Democrat.

When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.

I was constantly, always and forever, trying to perform the musical 'Annie' for anyone who would listen, and I have a terrible singing voice. It was the first thing that made me think I wanted to be an actress.

I have been sitting around waiting for an opportunity to get to do something that matters for so long. Not just that matters in the world, which I think that season, in particular, had a very important meaning for a lot of people, but for me, as an actress.

I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.