I don't want to speak for all people who don't have children, but maybe there's a discomfort with kids and the amount of attention they demand, by just being the age that they are.
I see in my friends that don't have kids, when they come over, and the amount of times our conversation gets interrupted by my children. It's almost jarring.
I think the emotional toolbox I have is healthy for an actor, as far as the intensity of emotions go. It's other things I have to hone. I can swim in that comfortably.
I did a film called The Jesuit, which was an independent film. I did that shortly after Mistresses. I was still feeling soft and I was nursing, but it was a character I'd never played before. That was a Paul Schrader script, with an up-and-coming Mexican director, named Alfonso Ulloa. That has Tim Roth and Paz Vega in it, and I enjoyed that, as well.
I was very soft. I gained a lot of weight with my second child and was very on the couch. And [my manager] said, "You know, this is a softer role [in Misteress]. She is a softer character. She's a lesbian that's always the passive half of the relationship."
I was more wishy-washy in the first 12 years of my career, just because that was my personality.
When I sign on to a television show, I have to love that show and character so much, but this [Mistresses] was in and out, for seven episodes. And it was nice to be able to make some money again because I hadn't work in a year and a half. There were a lot of pluses.
Supporting a family and financial necessity aside, what I want is to read it and just have that feeling in your chest that you know you need to do it and you understand how you could get there, even if it scares you.
I'm reading and trying to find a television show that I really like, so I can start really working again and gain some momentum.
I'm really enjoying being an actor right now, at this point in my life. It's a great job, it's a huge responsibility, and I just want to do it more.
In every take, that you're not sure of what they're going to cut and paste together and what the arc or the purpose or the intention of your character's journey will be in the story. You don't have control. Sometimes that's wonderful, and sometimes that can be scary.
I'm a little bit more of a relaxed, lazy mother.
I did short film with Damian Lewis from Homeland, that was a really incredible experience. He's one of the best actors I've ever worked with. Even though that's a short film for Jaguar that's really, in essence, a commercial, it didn't feel like it, at all.
Televisison is like a factory line. You need discipline and focus. You have to hit your mark and know your lines. It's not that I don't know my lines when I do a film, but the pace of discovery is always a little bit more relaxed and nurturing and almost babying, in a way. Television toughens you up, and I like that, but I don't want it to toughen me up too much.
If money is the only plus, I will always say no. But, if there's more, than I'm down.
Someone pays me a hundred bucks every Tuesday to DJ. I don't think I'll ever give that up.
You know when there's someone new on the rise and there's too much hype? I didn't want that to be me.
I was always interested in doing it, but I was so content with my life that I didn't really go after it.
But I'm trying not to be cynical - I don't want to be one of those people who has a cool opportunity and blows it. It's really amazing what's happening to me.
Most of the auditions I went on, I passed up the projects because I just wasn't interested. When I read A Knight's Tale, that was that. I knew I wanted to do this movie.
I'm a film doll. But I'm enjoying it. So I'm gonna keep doing it.
