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Stephen King Quotes - Page 53

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Kids absolutely not reading. I think it's because they're so screen-oriented [TVs, computers, smartphones]. They do read - girls in particular read a lot. They have a tendency to go toward the paranormal, romances,

Kids absolutely not reading. I think it's because they're so screen-oriented [TVs, computers, smartphones]. They do read - girls in particular read a lot. They have a tendency to go toward the paranormal, romances, Twilight and stuff like that. And then it starts to taper off because other things take precedence, like the Kardashian sisters.

Girl, Reading, Twilight

"A Rare Interview with Master Storyteller Stephen King". Interview with Ken Tucker, parade.com. May 25, 2013.

Somebody asked Somerset Maugham about his place in the pantheon of writers, and he said, "I'm in the very front row of the second rate." I'm sort of haunted by that.

Pantheon, Said, Rate

"A Rare Interview with Master Storyteller Stephen King". Interview with Ken Tucker, parade.com. May 25, 2013.

I never have a thematic intention at the outset. The story informs the theme for me rather than the other way around. But as it happens... this is, at least to a degree, about getting old and the rapid passage of our lives.

Degrees, Stories, Way

Interview with Catherine Elsworth, www.goodreads.com. November 2014.

I thought it was great fun to scare people. I also knew it was socially acceptable because there were a lot of horror movies out there.

Fun, People, Scare

Interview with Andy Greene, www.rollingstone.com. October 31, 2014.

I don't ask myself, "Well, does God exist or does God not exist?" I choose to believe that God exists, and therefore I can say, "God, I can't do this by myself. Help me not to take a drink today. Help me not to take a drug today." And that works fine for me.

Believe, Drug, Doe

Interview with Andy Greene, www.rollingstone.com. October 31, 2014.

I believe in evil, but all my life I've gone back and forth about whether or not there's an outside evil, whether or not there's a force in the world that really wants to destroy us, from the inside out, individually and collectively.

Believe, Evil, Gone

Interview with Andy Greene, www.rollingstone.com. October 31, 2014.

When we blew the first atomic bomb at White Sands near the end of the war, nobody knew what was going to happen. There was a theory that the chain reaction would continue forever. And we would have created a little tiny sun out there in the desert that would burn until the end of the universe. It wasn't a widely held theory but it was a theory that nobody had a way of disproving. There were people who thought it wouldn't go off at all, that it would simply sit out there and melt and produce a great big dirty cloud of radioactivity. Nobody knew.

War, Dirty, White

High Times Magazine Interview with Martha Thomases, John Robert Tebbel, October 1981.

When I knew I was going to be able to write full time, I wondered, "What's going to happen to the relationships within my family?" Are they going to change? Is it going to be the kind of deal where you say, "I can't take this! Get me out of here! I can't stand these screaming kids!" The way it turned out was, I was able to change the diapers okay, after I stuck the pin through my fingers a few times. I had a dawning realization that children are not particularly hard to deal with.

Children, Writing, Kids

We live in a society now where the sexual taboo for children has really passed by the wayside. Any nineyear-old can go into a 7-11 and check out the Playmate of the Month, but you don't want your kids to know about death. You don't want your kids to know about disfigurement. You don't want 'em to know about creepy things because it might warp their little minds.

Children, Kids, Creepy

A lot of fairy tales are thinly disguised hostility raps against parents. Kids know that they can't make it on their own, that if they were left alone, they would die.

Rap, Kids, Parent

Stephen King, Tim Underwood, Chuck Miller (1988). “Bare bones: conversations on terror with Stephen King”, McGraw-Hill Companies

I've always thought it would be fun to update "Hansel and Gretel." I'd have these white parents in the suburbs with an income of fifty or sixty thousand dollars. Daddy loses his job, and the wicked stepmother says, "We could get along, we could keep our Mastercharge, if you'd just get rid of those shitty kids." Finally the father hires a limo and tells the driver, "Drop 'em off on Lenox Avenue in Harlem at two in the morning." These two little white kids land there. They're menaced. And this supposedly nice black lady says, "Would you like some candy?"

Morning, Jobs, Fun

The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.

Memories, Lying, Kids

Everybody wants to psychoanalyze horror. They don't want to psychoanalyze a book like Gay Talese's "Sex with Your Neighbor" [sic] or something like that. It's pretty much accepted that Americans should be interested in who they're diddling and how they're doing it.

Sex, Book, Gay

High Times Magazine Interview with Martha Thomases, John Robert Tebbel, October 1981.

When it comes to horror there's a strange need to analyze. When "evil children" fad happened, there was The Exorcist and The Other and The Omen. People would say, "What this really means is that Americans don't want to have kids anymore. They feel hostility towards their own children. They feel they're being tied down and dragged down." In fact, in most cases, what those books are about is nice children who are beset by forces beyond their control.

Children, Nice, Book

A lot of authority figures want to be good. I sense that, and yet at the same time I sense that authority, after a while, always leads to some kind of oppression. When the minority report comes in, what you do is run the minority out of town with a flaming cross. It's just the way things are.

Running, Minorities, Want

Stephen King, Tim Underwood, Chuck Miller (1988). “Bare bones: conversations on terror with Stephen King”, McGraw-Hill Companies

We all have a tendency to want order in our lives. But order presupposes authority, and authority presupposes, sooner or later, that we'll all need hooves. It's going to happen sooner or later, isn't it? You know it is.

Order, Needs, Want

Theres a constant struggle going on about how much will be illegal and how much you will be free to take. Can we open the pharmacies? Can we put Valium and Percodan and those sorts of things out on the shelves? I wouldn't take it. I don't know.

Struggle, Pharmacy, Valium

Stephen King, Tim Underwood, Chuck Miller (1988). “Bare bones: conversations on terror with Stephen King”, McGraw-Hill Companies

For some reason California's always been where the struggle is about how much authority you can impose on people's private lives. It seems to show up there most clearly. They had a helmet law for motorcycles in California and the bikies were saying things like, "It restricts my vision. I can't hear what my bike's doing. If it was on fire I wouldn't know it until my ass caught." And at the bottom line what the bikies were saying was, "Look, it's my goddamn head and if I want to splatter my brains all over the guardrails on the Coast Highway, super for me."

Struggle, California, Fire

If you were a real fascistic society and you had a vocal minority that was shouting, "Stop this, stop that, stop the other thing," what you would say is, "Let's give them all the drugs they want." In a lot of states, something very much like that happened. They lowered the drinking age to eighteen and said, "Get juiced."

Real, Drinking, Giving

High Times Magazine Interview with Martha Thomases, John Robert Tebbel, October 1981.

My wife says, and I agree with her, that what would be really great for Maine would be to legalize dope completely and set up dope stores the way that there are state-run liquor stores. You could get your Acapulco gold or your whatever it happened to be - your Augusta gold or your Bangor gold. And people would come from all the other states to buy it, and there could be a state tax on it. Then everybody in Maine could have a Cadillac.

Running, Dope, People

Stephen King, Tim Underwood, Chuck Miller (1988). “Bare bones: conversations on terror with Stephen King”, McGraw-Hill Companies

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

Book, Cat, People

A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.

Dream, Running, Real

Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.

Country, New York, Writing

Stephen King, Tim Underwood, Chuck Miller (1988). “Bare bones: conversations on terror with Stephen King”, McGraw-Hill Companies

By writing a horror novel where this inexplicable disorder takes over in our ordered lives, you make order look better by comparison. But below that, there's a part of us that responds to the Who bashing their instruments to pieces on the stage. There's a very primitive part that says, "Do it some more."

Writing, Order, Looks

Stephen King, Tim Underwood, Chuck Miller (1988). “Bare bones: conversations on terror with Stephen King”, McGraw-Hill Companies

I think we rarely recognize the fifth business in our lives at the time those people are changing us.

Thinking, People, Fifth

Interview with Catherine Elsworth, www.goodreads.com. November 2014.

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