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Tennessee Williams Quotes - Page 3

I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action.

Tennessee Williams (2004). “A Streetcar Named Desire”, p.60, New Directions Publishing

Devils can be driven out of the heart by the touch of a hand on a hand, or a mouth on a mouth.

Tennessee Williams (1971). “The Theatre of Tennessee Williams: The milk train doesn't stop here anymore. Kingdom of Earth (The seven descents of Myrtle). Small craft warnings. The two-character play”, p.85, New Directions Publishing

A man, when he burns, leaves only a handful of ashes. No woman can hold him. The wind must blow him away.

Tennessee Williams, John Patrick Shanley (2010). “The Rose Tattoo”, p.120, New Directions Publishing

Death is one moment, and life is so many of them.

Tennessee Williams (1971). “The Theatre of Tennessee Williams: The milk train doesn't stop here anymore. Kingdom of Earth (The seven descents of Myrtle). Small craft warnings. The two-character play”, p.86, New Directions Publishing

When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.

Tennessee Williams (2008). “Camino Real”, p.8, New Directions Publishing

I have always been more interested in creating a character that contains something crippled. I think nearly all of us have some kind of defect.

Tennessee Williams, Albert J. Devlin (1986). “Conversations with Tennessee Williams”, Univ Pr of Mississippi

I think that hate is a feeling that can only exist where there is no understanding.

Tennessee Williams (1993). “The Theatre of Tennessee Williams”, p.6, New Directions Publishing

I respect a person that has had to fight and howl for his decency.

Tennessee Williams (2009). “The Night of the Iguana”, p.105, New Directions Publishing

Glass breaks so easily. No matter how careful you are.

Tennessee Williams (1999). “The Glass Menagerie”, p.86, New Directions Publishing

But there are things that happen between a man and a woman in the dark -- that sort of make everything else seem -- unimportant.

Tennessee Williams (2004). “A Streetcar Named Desire”, p.81, New Directions Publishing

There's no better credit card in the world than driving up at a bank door in a Cadillac limousine.

Tennessee Williams (1961). “Period of Adjustment”, p.8, Dramatists Play Service Inc

Talent? What is talent but the ability to get away with something?

Tennessee Williams (2013). “The Roman Spring of Mrs. Stone”, p.10, New Directions Publishing

All creative work, all life in a sense, is a cri de coeur.

Tennessee Williams (1979). “The Two-character Play”, p.70, New Directions Publishing

We've had this date with each other from the beginning.

Tennessee Williams (1995). “A Streetcar Named Desire”, p.131, Heinemann