I'm very much into animal welfare.
My parents don't really watch movies at all.
As actors we give so much of ourselves away so I like to keep my personal life to myself.
As for myself, I'm attracted to venture into places with peeling paint, and areas that are crumbling a little bit. It makes sense because we've already established the photography focusing on architecture, even if it looks incorrect, there's something appealing about entering that.
I can't speak for anyone else, but in my case, I sort of fell into acting.
I'm a sucker for, like, an endearing man who's like standing in his authentic self.
I was so dorky up until I was about 14 or 15 and started to get a little bit cooler, but I was a socks and sandals girl. I would wear big frilly socks with sandals and all the kids would tease me.
I think that Americans find the Australian humour and the energy of Australians very refreshing - we are quite self-deprecating, we're light-hearted and can have a laugh.
I love zombie films like Danny Boyle's '28 Days Later' - I thought it was so brilliantly done and so grounded in reality. I was definitely thrust into the zombie world watching that film.
If you are having fun on screen, it shows.
Kids are really cruel.
I always have those feelings - lucky and blessed - and I don't know if they'll ever go away. I really hope they don't, as I think it keeps you grounded. That's how I feel about every film I do.
As a producer you have creative control, and that's what is so exciting about it. At the end of the day, if you have made a film it's totally your responsibility, and if it works it's your responsibility and if it doesn't it's also your responsibility.
When I did my first film I kind of fell into it. I got cast in this movie called 2:37... the director, Murali K Thalluri, basically saw me and said: "I'm going to put you in this movie." And that week I felt like a void had been filled. I was so in my element. I was thrown in at the deep end.
