I don't work off lights and angles; I work off emotions. A mood that I create.
I always say I make pictures rather than take pictures.
It's not who you know, it's who you blow. I don't have a hole in my jeans for nothing.
Like Robert Mapplethorpe, Helmut Newton, and so many others before me, sexual imagery has always been a part of my photography.
I want my photos to be fresh and urgent. A good photograph should be a call to arms.
I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.
People go, 'What do you want to do?' What do you want to do? What are you feeling? Going into a shoot not fully knowing what I want to do—that excitement, that thing that happens, is just so powerful and makes such great pictures.
At the beginning, people laughed at me because I was using snappies. Sometimes, a celebrity would look at my camera and go, Oh, I've got one of those. I'd feel like handing it to them and saying, Well, you take the pictures then. But I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.
I didn't want to be a photographer. I wanted to play music and be a rock star. I didn't have a mentor telling me to take pictures and encouraging me. But when the music thing didn't work out, I became a photographer's assistant. And then I caught the bug.
I look fondly back on renegade days of my youth. Not the partying or anything, but it's still the spirit that I have always adhered to. When I do work that I like, it feels like a great punk song, like a burst of adrenaline. I've always kept this spirit in me, or some sort of connection to it.
It's insane, the internet. Totally craziness. Like a little cancer. People can just do whatever they want, say whatever they want, be totally anonymous. It's totally out of control.
