Theodora Goss Quotes - Page 2

The editor, Stephen Segal, actually called me with the idea of creating an accordion book [ "The Thorn & The Blossom"], and asked if I could write a story for it. I was so intrigued! I immediately knew that it had to be a love story told from the points of view of the two main characters. Right away, I started working on a proposal. And once I had my main characters, Brendan and Evelyn, it was as though they started telling me their stories.

When we tell stories about things that are important - love, fear, beauty - we change the way people think about the world. Writers are, or should be, truth-tellers even when the stories themselves are fantasy.

Understanding what is going on in the world today inspires me in a negative sense because there's so much about it that I don't like - political stupidity, environmental degradation, etc. And that makes me want to change it, to make a difference in the world.

If you look at the natural world, really look at it, it's always magical.

I would tell myself to get more sleep! Believe it or not, I wrote the book while finishing my PhD in English literature. It was wonderful to get away from doing literary scholarship by writing this mythical love story. I think so much of my own love for books and scholarship comes through in The Thorn and the Blossom.

Art inspires me. Looking at art in a museum, listening to music, reading the works of other writers.

Jorge Luis Borges wrote a poem when he was in his 80s about one day writing the book that would justify him. This was long after he had become one of the great masters, a writer everyone looks up to and reveres. As artists, I don't think we ever see ourselves as done. We always think we're at the beginning . . .

Now that The Thorn and the Blossom has come out and I'm done with my doctoral degree (yes, I'm finally Dr. Goss), I'm turning to longer projects.

The book[ The Thorn and The Blossom] is a love story about two people, Brendan and Evelyn, who meet in a small town in Cornwall where Evelyn has gone on vacation and Brendan is working in his father's bookstore. The story is told from both perspectives, Brendan's and Evelyn's.

My uncommon sense told me to write this book [Turn and blossom], even though I was in the middle of making final revisions to my dissertation! Common sense would have said, finish the dissertation and get a good, solid academic position. But instead, I got to do something that no one else has done, because I don't think anyone has written a book quite like this one. And look at how beautiful it is!

Delia Sherman once told me that you never learn to write a story. You only learn to write the story you are currently writing. You have to learn how to write the next story all over again. And she's absolutely right.

Believe in the importance of your art.

I talked on my blog recently about "uncommon sense." Common sense is called "common" because it reflects cultural consensus. It's common sense to get a good job and save for retirement. But I think we all also have an "uncommon sense," an individual voice that tells us what we're meant to do.

Writers: believe! And go do the work . . .

If you believe you have a voice and something to say, chances are you do, and the world needs you to do whatever you're drawn to do. So you should do it.

It's very difficult to put in the work unless you believe that what you're doing is significant in some way.

Writing is an art like other arts. Dancers don't dance every once in a while. Musicians don't stop practicing. They are dedicated to what they do.

Sometimes you have to follow your uncommon sense.

Of course, with Papaveria Press, you know the book itself is going to be beautiful.

The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!

It happened the way I come up with any story, which is that I took elements of my own life and put them into the story, but in a very mixed-up way.

Writing two stories [in the Thorn and the Blossom] about the same set of events that were complete stories in themselves, but also added up to a larger story. As I was writing them, I kept going back and forth, because something would happen in one story that would have to be reflected in the other story. And yet the same event would also have to be perceived in different ways by Brendan and Evelyn, because they are different people with their own interpretations.

I'm sure scientists would point to specific brain chemicals, but I think love is actually a kind of magic. It's what allows things to happen, people to be creative, the world to change. Great things come out of love - for other people, for art, for beauty.

The Thorn and the Blossom isn't just a love story. It's about two people who decide what they actually want to do artistically, despite discouragement. In some ways, that's just as important as the romance.

I had a short story collection come out in 2006, and then I couldn't work on large projects for a long time because I was finishing my doctoral degree.