I spend a lot of time talking to young and emerging producers on Twitter, feeding back thoughts and encouraging them.
At the end of the '90s and into 2000, electronic music was still an underground phenomenon, especially in America.
I like 'Elle' magazine. I love things online, like when all the big brands have a fashion show, I like to see the new collections.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.
There's an amazing intimate feeling in a small club but an insane rush playing a stadium or festival.
When I design the clothes, I have a very good team around me, showing me different pieces and cuts. I'm very involved in the process, I go to L.A. and get onto the design floor, and I help pick out the best pieces.
It [our best show] was this year, the 7th of January in Eilat, Israel; 6,000 people in the desert going absolutely mad!
I heard 'Get Lucky'; it's just not my taste. It's great what Daft Punk does and the sound quality is great, but that whole disco vibe is not really my thing.
I love L.A., but I don't live there. I spent some time there when I was recording 'Kaleidoscope,' mainly working with some of the artists I collaborated with. The city and people in L.A. have a great vibe and the weather is always beautiful.
I love playing FIFA on my PlayStation!
Sigur Ros make beautiful music. Bloc Party are fantastic and exciting and innovative.
I got involved in 2003, 2004, with a company called Dance4Life out of Holland.
I love Twitter, you know? I try to read everything I can on Twitter. You get so much nice feedback about stuff, you know you just put out a sentence and everybody laughs or everybody's just sending something back. It's amazing. Same with Facebook, you know? I'm a lot on Facebook and it's just - it's just amazing. And YouTube, of course, as well.
I love suits, but onstage it's too hot. So, I like a nice T-shirt!
If you play the same club every week of every month, it's kind of boring. It's great that you can play one night in Brazil and one night in Japan, one night in Europe, and see the world. It's amazing what you see if you travel around the world.
I was only interested in music, but I spent so much time in the clubs and seeing fashions change. So naturally, I developed an interest in it.
I listen to all kinds of music, but I really like deep house.
It will be great to have a fashion career during and after my DJ career.
Growing up, Guess always had these amazing billboards and cool affordable clothing. I wore it then, and I still wear it now! It's come full-circle. When I design the clothes, I have a very good team around me, showing me different pieces and cuts.
