But a man's character is his fate... and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.
Saul Bellow (2003). “Novels, 1944-1953”
But a man's character is his fate... and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.