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If the audience is made to do not enough work, they resent it without knowing it. Too much and they get lost. There's a perfect pace to be found. And a perfect place that is different for every line of the play.

Tom Stoppard
Play, Knowing, Perfect
"Pacing It" by Mark Singer, www.newyorker.com. March 7, 2011.
If the audience is made to do not enough work, they resent it without knowing it. Too much and they get lost. There's a perfect pace to be found. And a perfect place that is different for every line of the play.