I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air - trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.
"Letters of the great artists - from Blake to Pollock" edited by Richard Friedenthal, Thames and Hudson, London, (p. 207), 1963.
